Sir Lawrence Alma-Tadema | Stile artistico

Considerato uno dei pittori Vittoriani più influenti, Sir Lawrence Alma-Tadema (1836-1912) costituisce una presenza molto particolare nel panorama artistico del XIX secolo; lo stile ed i contenuti delle sue opere manifestano allo stesso tempo elementi antichi e moderni, visitati in chiave personale, tanto che l'Art Journal del 1870 scrisse su di lui: «Alma-Tadema è difficile da classificare: non appartiene a nessuna scuola, o per meglio dire, è lui stesso una scuola».

Peregrine Heathcote, 1973 | Glamour and intrigue

Peregrine Heathcote is a contemporary British painter known for his cinematic and narrative works that blend mid-century glamour with modern sensibilities. His academic realist style, featuring vibrant oil paints and rich colors, creates a world of timeless luxury and intrigue.

Early life and training: Born in London, Heathcote spent his early childhood in Britain and Dubai, which he credits with fostering his creative imagination.

As a child, he took classes at the Heatherly School of Art before receiving classical training at the Florence Fine Art Academy in Italy, where he graduated in 1994.

Paul Hedley, 1947 | Figurative painter

British painter Paul Hedley paints with compulsion, subtly influenced by his environment and daily experiences.

His paintings show his incredible ability to describe figurative form in the context of good quality and interesting compositions.

His brushwork is very decisive and colourful yet the effect is full of intimacy and serenity.

Paul Hedley was born and brought up in Chatham, Kent.

William Turner | Il pittore della luce

Joseph Mallord William Turner (1775-1851) è stato un pittore ed incisore Inglese.

Appartenente al movimento romantico, si può dire che il suo stile abbia posto le basi per la nascita dell'Impressionismo.

Nonostante ai suoi tempi fosse visto come una figura controversa, attualmente è considerato l'artista che ha elevato l'arte della pittura paesaggistica ad un livello tale da poter competere con la maggiormente considerata pittura storica.

Anche se è diventato famoso per le sue opere ad olio, Turner è anche stato uno dei più grandi maestri britannici nella realizzazione di paesaggi all'acquerello.

È conosciuto con il soprannome di Il pittore della luce.

David Garrett | Smile (Charlie Chaplin song) 🌹

In the final scene of Modern Times, Charlie and the gamine set off down the road to a new life.

When they get up off the grass verge to go, he pauses and points to the corners of his mouth, indicating that she should smile.

"Smile" has become a popular standard since its original use in Charlie Chaplin's film and has been recorded by numerous artists.

"Smile" is a song based on the theme song used in the soundtrack for Charlie Chaplin's 1936 film Modern Times.

William Henry Gore | Pittore romantico

William Henry Gore RI (1857–1942) è stato un pittore ed acquerellista inglese vissuto tra la fine dell'epoca vittoriana e l'inizio del XX secolo.

È noto per i suoi paesaggi rurali del Berkshire, sua terra natale, e per i suoi piccoli dipinti di genere, raffiguranti bambini ed animali.

Gore si collocava nella tradizione del tardo Romanticismo e Naturalismo vittoriano, fioriti nel periodo a cavallo tra l'inizio del XX secolo, ma che rapidamente divennero fuori moda all'indomani della Grande Guerra e dei successivi cambiamenti sociali e politici.

Frederick Morgan ROI | Genre painter

Frederick Morgan ROI (1847-1927) is known mostly for his romantic and sentimental paintings of children in the same style as his contemporary Arthur John Elsley.

His paintings achieved great popularity in his lifetime and were widely published.

He exhibited with the Royal Academy and was a member of the Royal Institute of Oil Painters (ROI).

Morgan's paintings are exhibited at many art galleries and museums including the Walker Art Gallery in Liverpool and the Russell-Cotes Museum in Bournemouth.

His Turn Next was used to advertise Pears' Soap and is in the Lady Lever Art Gallery, Port Sunlight.

Carlotta Edwards | Le Cygne

Carlotta Edwards (1894-1977) era figlia dell'artista Francese Ferdinand Pourrier.

Studiò alla St. John's Wood Art School e si specializzò in soggetti di danza classica, assistendo alle prove per realizzare schizzi per i suoi dipinti.

Espose alla Royal Society of Portrait Painters ed al Salon di Parigi.

Le sue scene di balletto un tempo adornavano le camere da letto di bambine (e grandi) in tutta l'Inghilterra ma erano molto popolari in Australia e Nuova Zelanda.

James Clarke Hook | Pittore di genere

James Clarke Hook RA (1819-1907) è stato un pittore ed incisore Inglese di scene marine, di genere e storiche e paesaggi.

Nel 1844 e nel 1845 la British Institution espose due dipinti di Hook - soggetti tratti da Shakespeare e Burns - che, insieme ai precedenti, dimostrarono la sua capacità di trattare temi del sentimento romantico e del pittoresco, allora in voga, ma in modo originale e vigoroso.

"The Song of Olden Times" (Royal Academy, 1845) segnò nettamente il futuro percorso dell'artista sotto molti aspetti tecnici.

Dante Gabriel Rossetti | Roman Widow, 1874

Roman Widow or Dîs Manibus is an oil on canvas painting executed in 1874 by the English Pre-Raphaelite artist Dante Gabriel Rossetti.

It is in the collection of the Museo de Arte de Ponce in Puerto Rico.

It depicts a young Roman widow, modelled by Alexa Wilding, sitting in a sepulchre by her late husband's cinerary urn, around which is wound her bridal girdle.

She is dressed in classical mourning drapery and playing an elegy on two small harps, one with each hand.

Pink roses, the flowers of Venus and symbolic of love, wreath both the harp and the urn.

6 artworks to look out for at Tate Britain

Tate è un gruppo di gallerie d'arte con sede a Londra, Liverpool e Cornovaglia, note come Tate Modern, Tate Britain, Tate St Ives e Tate Liverpool + RIBA North.

Quando la Tate aprì per la prima volta le sue porte al pubblico nel 1897, aveva una sola sede, che esponeva una piccola collezione di opere d'arte britanniche.

Oggi dispone di quattro sedi principali e della collezione nazionale di arte britannica dal 1500 ad oggi e di arte moderna e contemporanea internazionale, che comprende circa 70.000 opere d'arte.

Sir John Everett Millais | Mariana, 1851 | Tate Collection

This painting by British painter John Everett Millais (1829-1896) is of Mariana, a character from Shakespeare’s play Measure for Measure.

The story goes that Mariana’s fiancé Angelo leaves after her family’s money is lost in a shipwreck.

Still in love with him, she hopes they will be reunited.

Millais shows Mariana pausing to stretch her back after working at some embroidery, with the autumn leaves scattered on the ground marking the passage of time.

The stained-glass windows in front of her show the Annunciation, contrasting the Virgin's fulfilment with Mariana's frustration and longing.

Sir John Everett Millais | Mariana, 1851 | Tate Collection

Walter Crane | Precursor of Art Nouveau

Walter Crane (1845-1915) was an English artist and book illustrator.

Together with William Morris, Walter Crane was a leader in the Art Nouveau and the Arts and Crafts artistic movements

.

Walter Crane is considered to be the most influential, and among the most prolific, children's book creators of his generation and, along with Randolph Caldecott and Kate Greenaway, one of the strongest contributors to the child's nursery motif that the genre of English children's illustrated literature would exhibit in its developmental stages in the later 19th century.

Crane's work featured some of the more colourful and detailed beginnings of the child-in-the-garden motifs that would characterize many nursery rhymes and children's stories for decades to come.

Amore non è amore se muta.. | Shakespeare, Sonetto 116

Shakespeare | Let me not to the marriage of true minds | Sonnet 116

Let me not to the marriage of true minds

Admit impediments. Love is not love

Which alters when it alteration finds,

Or bends with the remover to remove:

O no! it is an ever-fixed mark

That looks on tempests and is never shaken;

Alessandro Puttinati | Paolo e Virginia, 1844

Lord Alfred Douglas | Due amori / Two Loves, 1894

Sognai di stare su un piccolo colle

e un piano ai miei piedi s’apriva simile

a vasto giardino che a suo talento fioriva

di fiori e boccioli. V’erano stagni sognanti

placidi e cupi, e candidi gigli,

sparuti, e crochi, e violette

purpuree e pallide, fritillarie sinuose,

rade presenze fra l’erba in rigoglio, e tra le verdi maglie

occhi blu di vergognose pervinche brillanti nel sole.

Fabian Perez

Jane Crowther, 1962

Originally from York (UK), Jane Crowther studied Illustration BA(Hons) at Kingston Polytechnic.

In the early 1990’s, whilst based in North London, Jane designed a small range of greeting cards to supplement her meagre income as an artist, initially selling them at craft fairs alongside her large multi-media paintings.

The cards started to sell really well and Jane made the commercial decision to concentrate on her card designs.

Molly Brett | Writer / Children's book illustrator

Molly Brett (1902–1990) was an English illustrator and writer of children's literature, best known for her anthropomorphic artwork.

Molly (Mary Elizabeth) Brett grew up in the English county of Surrey, surrounded by animals and nature.

Her mother, Mary Gould Brett, was a respected animal painter who encouraged her daughter to paint from life, and this is reflected in Molly's gift for making her animals look thoroughly naturalistic while giving them human characteristics and activities.

Charles Dickens: "Love is not a feeling to pass away"

Charles John Huffam Dickens (1812-1870) was an English novelist, journalist, short story writer and social critic.

He created some of literature's best-known fictional characters, and is regarded by many as the greatest novelist of the Victorian era.

His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius.

His novels and short stories are widely read today.

Charles Dickens | Love is not a feeling to pass away

Love is not a feeling to pass away,

Like the balmy breath of a summer day;

It is not - it cannot be - laid aside;

It is not a thing to forget or hide.

William Powell Frith | The Two Central Figures in "Derby Day" | The Metropolitan Museum of Art

Christopher Marlowe | Vieni a vivere con me e sii il mio amore / The passionate shepherd to his Love, 1599

"The Passionate Shepherd to His Love" (1599), by Christopher Marlowe (English playwright, poet, and translator of the Elizabethan era, 1564-1593), is a pastoral poem from the English Renaissance (1485–1603).

Marlowe composed the poem in iambic tetrameter (four feet of one unstressed syllable followed by one stressed syllable) in six stanzas, and each stanza is composed of two rhyming couplets; thus the first line of the poem reads: "Come live with me and be my love".

Come live with me, and be my love;

And we will all the pleasures prove

That hills and valleys, dales and fields,

Woods, or steepy mountains yields.

Walter Crane | The Passionate Shepherd to his Love illustration

William Blake | A Poison Tree / Un albero avvelenato

I was angry with my friend;

I told my wrath, my wrath did end.

I was angry with my foe:

I told it not, my wrath did grow.

And I waterd it in fears,

Night and morning with my tears:

And I sunned it with smiles,

And with soft deceitful wiles.

William Blake | Songs of Experience: A Poison Tree, 1794 | Metropolitan Museum of Art

Robert Kemm | Admiring the painting, 1880

Robert Kemm (1837-1895) was a British painter.

He was considered a Romantic painter of genre scenes, especially Andalusia landscapes and figures.

This artwork called "Admiring the painting" was painted in oil and is a highly staged piece of work.

The room setting could easily be the artists studio, with the easel, palette and assortment of props.