Enoch Wood Perry | A Month’s darning, 1876

In their subject matter and compositional format, Enoch Wood Perry’s watercolor paintings are quite similar to his oils, and his method of applying paint was consistently characterized by fastidious attention to detail.

Like his colleague Eastman Johnson, Enoch Wood Perry (1831-1915) studied in Düsseldorf and Paris, where he acquired a respect for careful draftsmanship.

He exhibited "A Month’s Darning" in 1876 at the American Society of Painters in Water Colors and later the same year at the Centennial Exposition in Philadelphia, where it was acclaimed for its evocation of times past.

The critic for the "New-York Tribune" found the woman’s head to be "the best part" of the composition and only regretted "that the sweet-faced girl . . . should have such large-footed men-folks to darn for". | Source: © The Metropolitan Museum of Art

Enoch Wood Perry | A Month’s Darning, 1876 | Metropolitan Museum of Art

Cindy Hendrick | Watercolor illustrator

A love of gardening, nature and woodland animals inspire Hendrick’s artwork.

Spending time in her surroundings, she observes these friends of the forest and field and their quirky behaviors.

The small company Hendrick started from her home in 2004, Woodfield Press has grown from humble beginnings with a handful of notecards and a couple of paper doll kits to a business with products in up to 450 stores throughout the US and the ability to print 40,000 cards at a time.

Camille Pissarro at the Christie's

Camille Pissarro | Paysannes travaillant dans les champs, Pontoise, 1881

In Paysannes travaillant dans les champs, Pontoise, painted in 1881, Camille Pissarro (1830-1903) depicts a group of five young women harvesting peas on the rural outskirts of Pontoise, a bustling market town about forty kilometers northwest of Paris where he and his family had lived for over a decade.

Pissarro had first treated the theme of picking peas in two oils the previous year, and he returned to the motif at least three times following his move to the agrarian hamlet of Éragny in 1884.

Camille Pissarro | Paysannes travaillant dans les champs, Pontoise, 1881 | Christie's

Happy birthday to Théo van Rysselberghe, born on this day in 1862

Happy birthday to Théophile "Théo" van Rysselberghe (23 November 1862 - 13 December 1926), a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century.

Van Rysselberghe discovered the pointillist technique when he saw Georges Seurat's La Grande Jatte at the eighth impressionist exhibition in Paris in 1886.

Together with Henry Van de Velde, Georges Lemmen, Xavier Mellery, Willy Schlobach and Alfred William Finch and Anna Boch he "imported" this style to Belgium.

Metropolitan Museum of Art | Storia del Museo

Le prime radici del Metropolitan Museum of Art (Met) risalgono al 1866 a Parigi, Francia, quando un gruppo di americani decise di creare una "istituzione nazionale e galleria d'arte" per portare l'arte e l'educazione artistica al popolo americano.

L'avvocato John Jay, che propose l'idea, portò avanti rapidamente il progetto al suo ritorno negli Stati Uniti dalla Francia.

Sotto la presidenza di Jay, l'Union League Club di New York radunò leader civici, uomini d'affari, artisti, collezionisti d'arte e filantropi alla causa.

Alaa Awad, 1981 | Neo-pharaonic style art

Dr. Alaa Awad is an Egyptian painter and muralist, known for his public murals in Cairo and Luxor, Egypt.

Inspired by ancient Egyptian heritage and contemporary society, some of Awad’s most popular work includes scenes of celebration, victory, Sufism, Egyptian social life and culture.

Currently, he serves as an assistant lecturer and PhD candidate at South Valley University (SVU), Faculty of Fine Arts.

His PhD working dissertation title is, "Artistic Vision Inspired by the Murals of War and Peace in Ancient Egyptian Art" and will be released in 2019.

Balbusso Twins, le gemelle dell'illustrazione

Anna ed Elena Balbusso, gemelle, vivono e lavorano a Milano.

Diplomate in pittura all’Accademia di Belle Arti di Brera, dal 1994 operano come illustratrici freelance per la pubblicità e l’editoria sia in Italia che all’estero.

Dal 1998 illustrano libri per ragazzi e copertine con varie case editrici.

Dal 2003 lavorano con testate francesi nell’ambito della comunicazione e dei magazine.

Nel 2006 hanno iniziato nuove collaborazioni nell’editoria per ragazzi in Francia ed in Corea del Sud.