William Bouguereau | Joueur de flûte, 1878

In his accounts, Bouguereau gave a title of Tête d’enfant avec une flûte to the present work, yet the instrument depicted more closely resembles a piffero, an Italian folk instrument related to the modern oboe, which was used by the musical troupes who would descend from the hills around Rome to celebrate Christmas.

Both the music and the sweet expression of Bouguereau’s young musician likely evoked the artist’s happy memories of travel to Italy in the late 1840s.

Bouguereau had painted young musicians as early as 1870 in works like Pifferaro (Bartoli, no. 1870/80, and sold in these rooms April 18, 2007, lot 90).

Ludovico Carracci | The penitent Saint Peter, 1613

Although mentioned by Ludovico's earliest biographer Malvasia as early as 1678, all trace of this monumental and imposing image of repentance was lost until its rediscovery only thirty years ago.

Malvasia recorded how Ludovico had given to Count Camillo Bolognetti, a nobleman and occasional amateur painter in the Carracci workshop, 'la figura intera di quel S. Pietro piangente, così risentito e terribile'.

In a handwritten note included in the 1841 edition of his Felsina pittrice the picture is referred to as 'San Pietro piangente l'aversi negato discepolo di Cristo, figura sedente, meno del naturale'.

Hermann Krüger | Park near Rome, 1899

"Park near Rome" (View of the Alban Hills) is an 1899 oil painting by German landscape painter of the Düsseldorf School Hermann August Krüger (1834-1908).

After initially studying art in Munich, Hermann Krüger continued his education in Düsseldorf from 1867 onwards, having spent time in Dresden and Berlin in between.

There, Kruger was a private pupil of Oswald Achenbach and undertook numerous study trips to Italy and Egypt.

James Tissot | Holiday, 1876

The autumn sun glows through the yellow leaves of the horse chestnut tree in this picnic scene.

The setting is the garden of James Tissot’s house in St John’s Wood, London, very close to Lord’s cricket ground.

Artist: James Tissot (1836-1902)

Medium: Oil paint on canvas

Dimensions support: 762 × 994 × 20 mm frame: 925 × 1185 × 95 mm

Collection: Tate

John Joseph Enneking | Spring Hillside, 1899-1902

John Joseph Enneking was born in Ohio in 1841 and was orphaned at a young age. He began to paint at the age of five and developed a natural talent before travelling East to New York and Massachusetts.

He trained in Germany, Italy and France and he was the first American to return from Paris in 1874 after having painted with Claude Monet, Pissarro and Renoir in Monet’s gardens at Argentueil (where Enneking painted Monet’s wife and child).

Jean-Baptiste Greuze | Le uova rotte, 1756

Anche se questo dipinto venne eseguito a Roma e presenta ambiente e costumi italiani, la fonte del soggetto ritratto è un quadro olandese del Seicento dell’artista Frans van Mieris il Vecchio (1635-1681), Le uova rotte (Museo dell’Ermitage, San Pietroburgo), che l'artista francese Jean-Baptiste Greuze (1725-1805) conosceva attraverso un’ incisione.

Le uova rotte simboleggiano la perdita della verginità.

Il bambino che cerca di ricomporre le uova rappresenta l’ignara innocenza dell’infanzia.

Il quadro suscitò una reazione favorevole quando fu esibito al Salon di Parigi nel 1757. | © The Metropolitan Museum of Art

Jean Baptiste Greuze | Broken Eggs, 1756 (detail) | Metropolitan Museum of Art

Benjamin Osro Eggleston | Young Woman in a Theater Box, 1891

"Young Woman in a Theater Box" is an 1891 oil painting by Benjamin Osro Eggleston (1867-1937).

A landscape painter in the tonal style and figures, Benjamin Osro Eggleston was born in Belvidere, MN and studied art at the Minneapolis School of Fine Arts under Douglas Volk.

He also traveled to Paris where he completed additional studies.

Upon his return he established a studio in Brooklyn from which he worked and traveled.

From 1900-1920 he summered at the Old Lyme Art Colony and in the 1930's he spent his time in West Stockbridge, Massachusetts.