John Gulich | A Violin Concerto, 1898

John Percival Gülich (also Gulich) (1864-1898) was a British illustrator, engraver and artist.

Gülich was born in Wimbledon in 1864, the son of Hermann Gülich, a London merchant of German origin, and Eleanor. He was educated at Charterhouse School.

He lived in Bremen for five years, working in his father's office.

He became Art Editor of the illustrated newspapers The Pictorial World and The Graphic, and also contributed to Harper's Magazine.

John Gulich | A Violin Concerto, 1898 | Tate

Meteyard / Tennyson | The Lady of Shalott

Sidney Harold Meteyard RBSA (1868-1947) was an English art teacher, painter and stained-glass designer.

A member of the Birmingham Group, he worked in a late Pre-Raphaelite style heavily influenced by Edward Burne-Jones and the Arts and Crafts Movement.

His best-known painting - I am half sick of shadows, said the Lady of Shalott (1913), based on the poem The Lady of Shalott (1832) by Lord Alfred Tennyson (1809-1892) - is in the collection of Birmingham Museum and Art Gallery.

In this piece The Lady of Shalott is at her tapestry with a wedding couple reflected in her mirror.

Sidney Harold Meteyard (1868-1947) | I am Half-Sick of Shadows - Said the Lady of Shalott, 1913

Richard Westall | The Reconciliation of Helen and Paris after his Defeat by Menelaus, 1805

Richard Westall RA (1765-1836) was an English painter and illustrator of portraits, historical and literary events, best known for his portraits of Byron.

He was also Queen Victoria's drawing master.

Westall was the more successful of two half-brothers (both sons of a Benjamin Westall, from Norwich) who both became painters.

His younger half-brother was William Westall (1781-1850), a much-travelled landscape painter.

Richard Westall | The Reconciliation of Helen and Paris after his Defeat by Menelaus, 1805

Alberto Moravia: "L'invidia è come una palla di gomma che più la spingi sotto e più ti torna a galla.."

• "A Roma è avvenuto il contrario di quello che avviene nelle altre capitali: la città si è ingrandita e arricchita; ma è rimasta legata a un’idea del vivere elementare e grossolana. Cinica, scettica, priva di ideali, materiale, ottusa, Roma presenta insomma lo spettacolo sconcertante di una capitale il cui fine principale anzi unico sia quello di vivere alla giornata o meglio di sopravvivere".

Renato Guttuso | Portrait of Alberto Moravia, 1982

Charles Courtney Curran

Charles Courtney Curran was an American painter, best known for his canvases depicting women in various settings.

Curran was born in Hartford, Kentucky, where his father taught school.

A few months later after the beginning of the Civil War, the family left there and returned to Ohio, eventually settling in Sandusky on the shores of Lake Erie where the elder Curran served as superintendent of schools.

Chul-Hwan Park, 1964 | Still Life painter

Chul-Hwan Park is a Korean Still Life painter of flowers, with a Master of Painting from Hongik University Graduate School of Fine Arts in Seoul, Korea.

Park’s still-life paintings are of such vivid realism that one nearly expects his flower blooms to exude a fragrance like their real-life counterparts.

One recalls the legendary Korean painter Solgeo, whose painting of a pine tree on a temple wall was so real that it lured birds to nest. Like Solgeo, Park is a true artist of realism.

John Lennon: “Love is the flower you’ve got to let grow”

• "Love is the flower you’ve got to let grow".

John Lennon

• "Love is like wildflowers; it’s often found in the most unlikely places".

• "L’amore è come i fiori di campo; si trova spesso nei posti più improbabili".

Ralph Waldo Emerson