Alessandro Puttinati, also Putinati was an Italian sculptor.
Son of the engraver and medalist Frncesco, he was a pupil and follower of the Danish sculptor Bertel Thorvaldsen (1770-1844) in Rome.
Among his best known works are some statues for the cathedral of Milan; the statues of San Carlo and Sant'Ambrogio in San Simpliciano; the Monument to Carlo Porta (1862) which was located in the Giardini di Porta Venezia and was destroyed during the Anglo-American bombing in Milan as well, the one to Garibaldi in Luino (1867), the first dedicated statue to Garibaldi still alive and of the statue of Masaniello (1846) today at the Gallery of Modern Art (1846).
William Jabez Muckley was a noted English artist🎨 who was born at Wordsley, Kingswinford, in Staffordshire. He was the eldest of the seven children of Jabez Muckley who was a glass artisan.
William Jabez Muckley began his career as a glass cutter with W.H.B. and J.Richardson of Wordsley and became their principal designer and engraver.
When only 22, he was responsible for much of the engraving that earned the firm considerable praise in the Great Exhibition of 1851.
Pino Daeni, pittore Italiano, nato Giuseppe d'Angelico a Bari, iniziò i studi presso l'istituto d'arte della città. Nel 1960 è entrato all'Accademia di Brera di Milano dove ha perfezionato il suo talento e la sua abilità nella pittura della figura.
Dal 1960-1979 i suoi lavori sono comparsi in alcune importanti mostre in tutta Italia ed in Europa e, nello stesso periodo, due grossi editori italiani, Mondadori e Rizzoli, gli hanno commissionato numerose illustrazioni per copertine di libri.
Tuttavia, Pino Daeni si è sentito limitato a Milano, voleva la libertà artistica che credeva esistesse negli Stati Uniti, e così nel 1979 vi è emigrato sotto il patrocinio della Galleria Borghi.
Josef Kote is a New York-based visual artist, best known for his distinctive style and technique.
A native of Albania, Josef Kote is a skilled and discerning interpreter of color harmonies, light and mood.
The core of Kote’s work is based on expressing feelings and emotions.
His bold brushwork and sweeping strokes of vibrant colors are applied more often than not with a pallet knife, while other areas of the canvas are left monochromatic and devoid of detail, creating a negative space that lets the eye drift to infinity.