Renoir | Figures on the Beach, 1890

Figures on the Beach
Artist: Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer)
Date: 1890
Medium: Oil on canvas
Dimensions: 20 3/4 x 25 1/4 in. (52.7 x 64.1 cm)
Classification: Paintings
Credit Line: Robert Lehman Collection, 1975
Accession Number:  1975.1.198
On view at The Met Fifth Avenue in Gallery 961

Isaac Levitan | Spring in Italy, 1890

Isaak Ilyich Levitan🎨 / Исаак Ильич Левитан(1860-1900), Lithuanian-born Jewish painter who was one of Russia’s most influential landscape artists and the founder of what has been called the "mood landscape".

Pier Toffoletti | COVID-19 Heroes, 2020

The first person who contracted the Coronavirus was traced back on 17 November 2019.

The virus that caused the outbreak is known as SARS-CoV-2, a newly discovered virus closely related to bat coronaviruses, pangolin coronaviruses and SARS-CoV.

Health authorities in Wuhan, the capital of Hubei province, China, reported a cluster of pneumonia cases of unknown cause on 31 December 2019, and an investigation was launched in early January 2020.

Chen Huimin 陈慧敏, 1943 | Flowers painter

Chen Huiming 陈慧敏 is a Chinese painter🎨. In 1964 she graduated from the Beijing Institute of Arts and Design.

Chen Huiming is an outstanding representative of contemporary art.

For more than 30 years, she expresses in her works the beauty of flowers.

Alexandre Cabanel | Adam, study for Paradise Lost, 1867

French🎨 Academic and Classical painter Alexandre Cabanel (1823-1889) was born in the city of Montpellier. He showed a proclivity for drawing at a young age, and was enrolled at the local art school in his hometown of Montpellier at the age of ten.

By 17, he was given the opportunity to study at the École des Beaux-Arts, Paris.

In 1844, he exhibited for the first time at the Paris Salon, and was awarded the Prix de Rome in 1845.

Following his debut, he soon became a favorite of the Paris Salon.

Alexandre Cabanel | Samson and Delilah, 1878

Delilah, also spelled Dalila, in the Old Testament, the central figure of Samson’s last love story (Judges 16).

She was a Philistine who, bribed to entrap Samson, coaxed him into revealing that the secret of his strength was his long hair, whereupon she took advantage of his confidence to betray him to his enemies. Her name has since become synonymous with a voluptuous, treacherous woman.

Alexandre Cabanel | Ophelia, 1883

Christie's | Remaining faithful to historical and literary subjects as themes for his paintings, this work depicts perhaps the most complex and vivid of characters immortalised in Shakespeare's Hamlet, Ophelia.

Such a captivating character, she has held the fascination of artists for centuries, widely portrayed by Victorian masters in particular, such as Sir Thomas Francis Dicksee, John Everett Millais and John William Waterhouse among others.