Upon its exhibition at the Paris Salon of 1876, William Bouguereau's monumental Pietà received unanimous praise from critics for its sincere emotion and poignant devotion (Doucet, Les peintres français, Paris, n.d., p. 164).
More than a century later, the painting remains one of the most moving interpretations of, not only the Life of Christ, but of man's personal tragedy as well.
The immediate inspiration for Pietà came not from Bouguereau's devout Christianity, but from the painful loss of his eldest son Georges who died on July 19, 1875 at the age of sixteen.
After spending several months overwhelmed by grief, Bouguereau sought to lift his spirits by fully immersing himself in his art.