Henri Fantin-Latour (1836-1904)

A contemporary of the Impressionists, the French artist Henri Fantin-Latour was notable for his flower paintings and group portraits of the Paris intellectuals of the period.

The son of Théodore Fantin-Latour, also an artist, who initiated him in the art of painting, he studied at the École de Dessin in Paris.

However, he derived his real training from copying the classical works of the Great Masters in the Musée du Louvre, particularly Titian and Veronese.

Later, in 1861, he was a disciple of Gustave Courbet for a while, although his discreet, intimate realism was very different from that of his master and caused them to go their separate ways very soon.

Peter Mork Monsted (1859-1941)

Peder Mørk Mønsted (Balle Mølle, 10 dicembre 1859 - Fredensborg, 20 giugno 1941) è stato uno tra i rappresentanti del periodo d'oro della pittura Danese e fu noto come paesaggista.

Mønsted difficilmente può essere collegato alla pittura di paesaggio accademica perché venne molto influenzato dall'Impressionismo francese.

Henri Fantin-Latour | Page 1

Ignace Henri Jean Fantin-Latour was a French painter, born in Rhone-Alpes, France, studied at the Ecole des Beaux-Arts in Paris.

He is best known for his flower paintings and group portraits of his friends Parisian artists and writers.

His work strongly influenced the Symbolist movement of the late 19th Century.

Whistler brought attention to Fantin in England.

William Bouguereau | Tricoteuse Bretonne, 1871

Curious to experience the uniquely preserved language, religion, and traditions of Brittany’s sixth-century Celtic ancestors, crowds of cultural tourists travelled to this province in northwestern France in the late nineteenth century.

William Bouguereau made his first journey with his family in the summer of 1866 and found himself deeply moved by the region’s coastal landscape and distinctive people, leading him to return every summer until 1870, often vacationing in the small town of Douarnenez.

In July, their final visit was interrupted by the Franco-Prussian War prompting Bouguereau’s return to Paris in July to enlist in the National Guard, putting his artistic career on hiatus.

William Bouguereau | Tricoteuse, 1873

Shortly after Adolphe William Bouguereau🎨 (French Academic painter, 1825-1905) completed Tricoteuse, in 1874, Goupil transferred the painting to their gallery in The Hague and sold it to the Poortman family. Tricoteuse has remained in The Netherlands ever since and with the same family for nearly a century.

No doubt with the help of his powerful dealer, Goupil, Bouguereau was being acquired by many collectors in The Netherlands at this time.

Louis Béroud | The Copyists in the Louvre, 1909

After visiting the Louvre, an American visitor noted that:

"along the galleries are numerous temporary stands, easels, etc., at which artists are constantly at work copying such paintings as they may have orders for, or hope to find purchasers for" (as quoted in Barbara Stern Shapiro, Pleasures of Paris: Daumier to Picasso, Boston, 1991, p. 108).

Vladimir Pervuninsky, 1957 | The Viennese Waltz

Vladimir Pervuninsky / Владимир Первунинский was born in the Russian town of Chelyabinsk. Recognized at an early age for his artistic talent, he went on to attend the Omsk Pedagogical Institute, where he majored in painting and graphics.

Vladimir, in search of a more focused and complete training, set off for Moscow, where he was accepted into the acclaimed V.I. Surikov Moscow State Art College. There, he studied under the tutelage of the well-known academician D.M. Mochalsky.

Vladimir, always, was fascinated by Impressionism and Belle Epoque painting, the strict curriculum of the Soviet Ministry of Culture allowed no latitude for students or instructors to stray from the state sanctioned style of Socialist Realism.