Napoleone Nani | Genre painter

Napoleone Nani (Venice 1841- Verona, 1899) was an Italian painter, active in Venice, where he became professor of the Accademia di Belle Arti.

In 1877 at Naples, he displayed his self-portrait and a canvas titled: La posa; in 1881 at Venice, he displayed: La macchina riposa, il cuore lavora; at the 1883 Promotrice of Florence: Lo studio dal vero; at Rome the same year: Lo studio del nudo and Il primo pensiero ai miei fiori. Successively in Turin, Milan, and Rome, he exhibited: Vizio, Trattative di conciliazione, Giudizio di un intelligente, and Studio.

Cesar Santos

Cesar Santos (born July 10, 1982) is a contemporary Cuban-American artist and portrait painter.

He is better known for his body of work "Syncretism", a term he uses to describe paintings where he presents two or more art tendencies in aesthetic balance.

He has completed numerous commissions and his work is held in private as well as public collections around the world.

Max Liebermann (1847-1935) | Life and Artworks

Max Liebermann (20 July 1847 - 8 February 1935) was a German painter and printmaker of Ashkenazi Jewish ancestry, and one of the leading proponents of Impressionism in Germany.

The son of a Jewish fabric manufacturer turned banker from Berlin, Liebermann grew up in an imposing town house alongside the Brandenburg Gate.

He first studied law and philosophy at the University of Berlin, but later studied painting and drawing in Weimar in 1869, in Paris in 1872, and in the Netherlands in 1876-77.

During the Franco-Prussian War (1870-71), Liebermann served as a medic with the Order of St. John near Metz. After living and working for some time in Munich, he finally returned to Berlin in 1884, where he remained for the rest of his life. He was married in 1884 to Martha Marckwald (1857-1943).

Henry John Stock | Influences, 1905

Henry John Stock (1853-1930) is one of those minor but highly individual artists who are among the glories of the English Romantic tradition.

Born in Greek Street, Soho, in 1853, he went blind in childhood but recovered his sight on being sent to live at Beaulieu in the New Forest.

He studied at the St. Martin's School of Art and the Royal Academy Schools, and is said to have been encouraged by the engraver W.J. Linton, who took him to Italy. (It seems unlikely that this was before 1866, when Linton settled in America, since Stock would only have been thirteen at the time.

Eugeniusz Żak | Pittore Post-Impressionista

Eugeniusz Zak (1884-1926) è stato un pittore Polacco.

All'inizio Zak espresse il suo temperamento artistico attraverso un sofisticato uso della linea, facendo riferimento nei suoi ritratti a sanguigna alle opere di Leonardo, Botticelli, Hans Holbein il giovane e Dürer.

Poi, nella prima fase della sua carriera, si accostò allo stile dei Nabis, mediante l'elaborazione di superfici piatte, circoscritte in modo sfumato, senza contorni precisi e dai colori leggermente opachi.

Ernest Higgins Rigg (1868-1947) | The Potato Pickers

Ernest Higgins Rigg was a British painter🎨 of rural genre, landscapes and portraits.

Rigg was born in Bradford and studied at the School of Art there and then at the Acade´mie Julian in Paris.

He first visited Staithes in 1896 and lodged in Hinderwell at Quaker Garth and later stayed at the village’s Commercial Hotel. He moved to Sussex in 1908, but returned to Yorkshire after the First World War, living in Shipley in 1918 and Richmond in 1919. His brothers, Alfred and Arthur H. were both artists.

Giuseppe Arcimboldo (Italian, 1527-1593)

Giuseppe Arcimboldo was an Italian painter best known for creating imaginative portrait heads made entirely of such objects as fruits, vegetables, flowers, fish and books, that is, he painted representations of these objects on the canvas arranged in such a way that the whole collection of objects formed a recognizable likeness of the portrait subject.

Arcimboldo was born in Milan in 1527, the son of Biagio, a painter who did work for the office of the Fabbrica in the Duomo.

Giuseppe Arcimboldo did not leave written certificates on himself or his artwork. After the deaths of Arcimboldo and his patron—the emperor Rudolph II—the heritage of the artist was quickly forgotten, and many of his works were lost. They were not mentioned in the literature of the 17th and 18th centuries. Only in 1885 did the art critic K. Kasati publish the monograph "Giuseppe Arcimboldi, Milan Artist" in which the main attention was given to Arcimboldi's role as a portraitist.