Jens Ferdinand Willumsen | Symbolist / Expressionist painter

Jens Ferdinand Willumsen (7 September 1863 - 4 April 1958) was a Danish painter, sculptor, graphic artist, architect and photographer. He became associated with the movements of Symbolism🎨 and Expressionism.

J. F. Willumsen was born in Copenhagen, Denmark. He was the son of Hans Willumsen and Ane Kirstine. He was initially trained in art at the Royal Danish Academy of Fine Arts from 1881-1885 and in architecture at the Copenhagen Technical College from 1879-1882. He completed his education in 1885 with the artists P.S. Krøyer🎨 (1851-1909) and Laurits Tuxen (1853-1927).

His works were exhibited in the Paris Salon, the Société Nationale des Beaux-Arts, the Société des Artistes Indépendants, the art gallery of Le Barc de Boutteville and at the Exposition Universelle (1900).

Luis de Morales (El Divino) | Mannerist painter

Luis de Morales, byname El Divino (Spanish: “The Divine”), (born c. 1509, Badajoz, Spain - died May 9, 1586, Badajoz), painter who was the first Spanish artist🎨 of pronounced national character, considered to be the greatest native Mannerist painter🎨 of Spain.

He is remembered for his emotional religious paintings, which earned him his sobriquet and greatly appealed to the Spanish populace.

Morales may have studied with the Flemish painter🎨 Hernando Sturmio in Badajoz or with Pedro de Campaña in Seville.

He worked in Badajoz from 1546, leaving on occasional commissions but making his home there all his life. Summoned by Philip II of Spain to help in the decoration of El Escorial, he painted a Christ Carrying the Cross that did not please the king and was removed to the Church of San Jerónimo, Madrid.

Pablo Picasso | Sleeping peasants, 1919

Medium: Gouache, watercolor, and pencil on paper

Dimensions: 12 1/4 x 19 1/4" (31.1 x 48.9 cm)

Credit: Abby Aldrich Rockefeller Fund

Current location: Museum of Modern Art (MoMA)

Sleeping peasants, is the most potent of the small erotic paintings that is brilliantly coloured.

The restless, irregular rhythms mapped out by the contours of the tumescene limbs and ruckled drapery amount to a graph of love-making which has just occured, while the woman's thrown-back head and uncovered breast confirm her maenadic ancestry.

The ripe bodies nestled in the ripe crops implying some archaic fertility rite.

Vincent van Gogh | Vase with Poppies, 1886

Vase with Poppies is a painting made by Vincent van Gogh in Paris in 1886.

March 24, 2019

By The Associated Press | A painting at a Connecticut museum that has long been thought to be by Vincent van Gogh🎨 has been authenticated by Dutch researchers.

The Wadsworth Atheneum Museum of Art in Hartford announced Friday that "Vase With Poppies", a still life oil painting, has been verified by researchers at the Van Gogh Museum in Amsterdam as having been made by the Dutch artist in 1886, just after he moved to Paris. It has been in the Atheneum’s collection since 1957.

Vincent van Gogh | Wheatfield with Partridge, 1887

Amid the waving wheat, we see poppies and cornflowers.

A partridge emerges from the field and flies away.

Looking at this painting, you feel as if you're right next to the field. That's because of the low point of view.

Van Gogh painted this rural wheat field while living in the crowded city of Paris.

Before his move to the French capital, his main theme had been country life. For him, this summery painting was a brief return to that theme. | © Van Gogh Museum, Amsterdam

Vincent van Gogh | Pine Trees Against An Evening Sky, 1889

Vincent Van Gogh🎨 achieved his most beautiful effect of branches with foliage against the sky in the Pine Trees against an Evening Sky.

In reality, the scale of the overall scene is such that it cannot be taken in at one glance, and to paint the trees and the sky like that Van Gogh would have had to gaze up above his head.

The artist was of the opinion that the picture he provided here of the asylum was fairly pleasant and his aim had indeed been to 'reconstruct it as it might have been by simplifying and accentuating the proud and immutable character of the pines and the clumps of cedar against the blue'.

Henri Matisse | Conversation under the Olive Trees, 1921

Beneath their tranquil surface, Henri Matisse's paintings often conceal a complex discourse expressing his conflicting aspirations through the relationship between subject and style.

Conversation under the Olive Trees is particularly revealing in this respect. Two elegant ladies standing on the lawn seem to be chatting.

Behind them is a path; on the far side and slightly lower, we see a grove of olive-trees, while further away appears the silhouette of a hill, and beyond it another.

Henri Matisse | Conversation under the Olive Trees, 1921 | The Carmen Thyssen Museum (Museo Carmen Thyssen Málaga)