Paul Cezanne, Un grec de la Belle Époque..

In his review of the Second Impressionist Exhibition of 1877, the art critic Georges Riviere (1850-1900) defended Les Baigneurs au repos🎨 of 1875-1876 by terming Cézanne, "Un grec de la Belle Époque" and arguing that:

• "his canvases have the calm and heroic serenity of the paintings and terra-cottas of antiquity, and the ignorant who laugh at the Bathers, for example, impress me like barbarians criticizing the Parthenon".
• "M. Cézanne est, dans ses æuvres, un grec de la belle époque; ses toiles ont le calme, la sérénité héroïque des peintures et des terres cuites antiques, et les ignorants qui rient devant les Baigneurs, par exemple, me font l’effet de barbares critiquant le Panthéon.
• (…) la peinture de M.Cézanne a le charme inexprimable de l’antiquité biblique et grecque, les mouvements des personnages sont simples et grands comme dans les sculptures antiques, les paysages ont une majesté qui s’impose …"

William Acton (1906-1945)

William Hamilton Mitchell Acton (16 August 1906 - 31 August 1945) was an Anglo🎨-Italian painter🎨 who died while in active service during World War II.

• Biography

William Hamilton Mitchell Acton was born in Florence on 16 August 1906, the son of Arthur Acton (1873-1953), an art collector and dealer, and Hortense Lenore Mitchell (1871-1962), the heiress of John J. Mitchell, President of the Illinois Trust and Savings Bank. Harold Acton was his older brother.

He attended Chateau de Lancy, Geneva, and Eton College; at Eton his contemporaries were Robert Byron, Brian Howard, Alfred Duggan and Anthony Powell, who remembers William fondly in his memoirs.

Arturo Martini | Portrait of Wally Toscanini, 1925

Arturo Martini, (born August 11, 1889, Treviso, Italy - died March 22, 1947, Milan), was a leading Italian sculptor and painter between World War I and II.

He moved between a very vigorous (almost ancient Roman) classicism and modernism. He was associated with public sculpture in fascist Italy, but later renounced his medium altogether.

Futurism

Martini seems to have been an active supporter of the Futurist movement between 1914-1918. He certainly corresponded with Umberto Boccioni and produced a modernist booklet in 1918. His early works show an archaic tendency, two-dimensionality and polychrome effects.

Oscar Hermann Lamb (1876-1947)

Oscar Hermann-Lamb was an Italian artist🎨 born in Trieste. Like so many Triestine painters he studied in Munich, where he remained for two years, between 1895-1896.

Immediately afterwards he continued his studies in Rome and from 1900 he decided to settle in Vienna.

His friendship with the Friulian sculptor Alfonso Canciani dates back to this phase - also a resident of Vienna - to whom he dedicated a portrait, documented in the archive of the Revoltella Museum.

Especially committed to the study of the figure, in these years he produced great compositions of a Divisionist🎨 imprint (see the "I founders🎨" canvas of 1903, purchased from the Revoltella Museum).

Albert Moulton Foweraker (1873-1942) Landscape painter

Albert Moulton Foweraker (7 July 1873 - January, 1942) was an English painter🎨.

He was educated at Exeter Cathedral School, was an exhibitioner at Cavendish College, Cambridge in 1890, and went on to Christ's College, from where he obtained his Degree in Applied Science in 1893.

He obtained First Class Honours, City and Guilds in 1896, and was a qualified Milling Engineer. He was also sometime Demonstrator In Science at Exeter Technical College. He was married in July 1897 to Annie Triphina Coles.

Alberto Salietti (Italian painter, 1892-1961)

Alberto Salietti (Ravenna, 1892 - Chiavari, 1961) was an Italian painter🎨.

Salietti was born in Ravenna and moved to Milan when child.

An eclectic character in the artistic universe of the first half of the century, he played two parts with expertise: he was the secretary of the group “Novecento” where he meticulously handled both national and international relationships and left a wealth of information in the archives; and painter "amongst the most significant contemporary artists" as how Ugo Nebbia has consecrated him.

Abraham Brueghel (1631-1690)

Abraham Brueghel è stato un pittore Fiammingo.

Appartenente alla celebre dinastia dei Brueghel - era figlio di Jan il Giovane e nipote di Jan Brueghel dei Velluti; il suo bisnonno era il celebre Pieter Bruegel il Vecchio, Abraham Brueghel trascorse, al contrario dei suoi famigliari, quasi tutta la vita in Italia, dove giunse nel 1649.

Abraham dipinse quasi solo composizioni di fiori; la sua prima commissione importante fu quella per il nobile messinese Antonio Ruffo, un raffinatissimo collezionista che fu il primo italiano a richiedere un'opera di Rembrandt.