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Gustave Courbet | Stile pittorico

Gustave Courbet è considerato l'iniziatore ed il principale animatore del Realismo francese, movimento pittorico che tende ad una rappresentazione fedele della realtà, indagata con un linguaggio diretto e privo di abbellimenti.
In questo modo, i dipinti di Courbet sono caratterizzati da un'elevatissima verità di rappresentazione, che si sostanzia nella spontaneità dei soggetti e delle composizioni, senza imposizioni di alcun genere.
Il rifiuto di Courbet verso le messe in posa e le esigenze del decoro emerge ne "La filatrice", dove egli ritrae di nascosto sua sorella che, vinta dalla fatica, si addormenta.
In questo modo la realtà cessa di essere idealizzata ed acquisisce una dignità prima impensabile: nei quadri di Courbet, a essere degni di rappresentazione non sono solo il bello e l'armonico, così come imposto dai dettami della pittura romantica, ma anche quei momenti non «nobili», triviali, che facendo parte della quotidianità restano comunque in grado di qualificare l'arte.


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Julius LeBlanc Stewart | Painter of the Belle Époque

Julius LeBlanc Stewart (September 6, 1855, Philadelphia, Pennsylvania - January 5, 1919, Paris, France), was an American artist who spent his career in Paris.
A contemporary of fellow expatriate painter John Singer Sargent, Stewart was nicknamed "the Parisian from Philadelphia".
His father, the sugar millionaire William Hood Stewart, moved the family from Philadelphia, Pennsylvania to Paris in 1865, and became a distinguished art collector and an early patron of Marià Fortuny and the Barbizon artists.


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Armand Guillaumin (1841-1927)


Armand Guillaumin, in full Jean-Baptiste-Armand Guillaumin, French landscape painter and lithographer who was a member of the Impressionist group.
Guillaumin was a close friend of the painter Camille Pissarro, whom he met while studying at the Académie Suisse.

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Florence Blin, 1971


La pittrice Francese🎨 Florence Blin ha presentato il suo lavoro in oltre 10 mostre personali nelle città di Ajaccio, Lione, Shanberi, Valankon, Nizza, Cannes, Monaco e Parigi.
Ha partecipato al Festival di Arte Moderna del Mediterraneo.
Le sue opere sono offerte alle aste Druon e Parigi. Le opere della bolla sono state pubblicate sulla rivista internazionale di pittura "L'Aube".

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El Greco | The Adoration of the Name of Jesus, 1579

The larger version of this picture is in the Escorial in Madrid, and was probably intended for King Philip II.
El Greco made small copies of several of his own pictures to keep in his studio, of which this is probably one.
The subject is thought to be an allegory of the Holy League, a military alliance between Spain, the Papacy and the Venetian Republic, which was formed to combat the rise of Islam and the Turks.
The Pope, the Doge of Venice and Philip II are shown kneeling in adoration of the name of Jesus, shown in the heavens as IHS, these being the first letters of Jesus in Greek (IHSOUS).


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Charles Caryl Coleman | Capri, 1897

American painter Charles Caryl Coleman (1840-1928) was born in 1840. He was a landscape, portrait and figure painter who lived most of his life in Capri, Italy.
Coleman studied art with Andrew Andrews and W.H. Beard in Buffalo, NY in the 1850s.
He traveled to Paris to study for three years before returning to America in 1862 to enlist in the Civil War.


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Hermann Corrodi | Notturno sul Monte Athos / Night on Mount Athos, 1905

Hermann David Salomon Corrodi🎨 (July 1844 - 30 January 1905) was an Italian painter🎨 of historical and orientalist scenes.
Corrodi received commissions for history paintings from the British royal family. He was acquainted with most of the European royalty of the time, including a friendship with Queen Victoria, and traveled widely in the Far East, including Egypt, Syria, Cyprus and Istanbul, which provided the subject matter for many of his paintings.
In 1893 he was knighted as an Academic of Merit by the Academy of St Luke, where he had been a professor.
In the last month of his life he made The nocturnal ascent on mount Athos.
Hermann Corrodi died on January 30, 1905. So, this ascent must have been one of his very last paintings.
The hermits hut clung on the steep rock like a birds’ nest is an interesting detail. The seven monks with their lamps and walking sticks lead the viewer to the ascent.