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Charles Caryl Coleman | Apple Blossoms


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Norton Bush | A river in the tropics, 1891


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Maurice Prendergast | Along the Seine, 1892

Maurice Prendergast (1858-1924) was one of the first American painters to adopt a post-impressionist style.
His distinctive paintings utilize a pattern of flat, short brushstrokes and bold outlines to create brightly colored scenes of outdoor leisure.
Prendergast was born in St. John's, Newfoundland, in 1858.
In 1868 the family moved to Boston, the hometown of Prendergast’s mother, where the artist attended school through the eighth grade.
Prendergast first worked in a dry goods store and then began earning a living creating show cards—hand-lettered advertisements for store windows.

Maurice Prendergast | Along the Seine, 1892 | Whitney Museum of American Art

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John Neagle | Portrait of a young girl, 1836


John Neagle (November 4, 1796 - September 17, 1865) was a fashionable American painter, primarily of portraits, during the first half of the 19th century in Philadelphia.
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Gabriel Mark Lipper | Oregon, United States

Gabriel Mark Lipper is an Ashland-based artist whose work addresses, in his words, "the growing schism between self and other".
He works predominantly in oil and makes paintings that are classical in nature.
He has studied in Germany, Italy and Japan and has been shown at numerous galleries in the Pacific Northwest and elsewhere on the West Coast, including at the Hanson Howard Gallery in Ashland and at the Elan Gallery in Jacksonville.


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Vincent van Gogh | Vase with Gladioli and Chinese Asters, 1886


This is one of more than 35 flower still lifes that Van Gogh painted in Paris in the summer of 1886.
He hoped that paintings of flowers would sell well.
These were also exercises in the use of colour and a loose style of painting.

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Henri Matisse (1869-1954)

Henri Émile Benoît Matisse è uno dei più noti artisti del ventesimo secolo, conosciuto principalmente per essere l'esponente di maggior spicco della corrente artistica dei Fauves.
La sua prima esposizione avvenne nel 1904, senza grande successo.
Nel 1905 si trasferì nel sud della Francia, per lavorare con André Derain 1880-1954, esperienza durante la quale si accentuò la sua tendenza ad enfatizzare fortemente il colore.
I dipinti di questo periodo sono caratterizzati da forme appiattite e linee controllate, con l'espressione che domina sui dettagli.