The preoccupation with snowy landscapes would extend to several of the Impressionist painters, including Alfred Sisley and Camille Pissarro, though Monet's effet de neige paintings are often viewed as the most successful examples of the theme.
Writing about Monet's snow scenes, art historian Eliza E. Rathbone observedd:
'The Impressionists, and above all Monet, determined to record the complete spectrum: deep snow in brilliant sunshine, creating the bluest of blue shadows; snow under a low, grey winter sky that shrouds nature in a single tonality; landscapes so deep in snow that all details are obscured, evoking a silent world; even snow melting along a country road at sunset; or, perhaps most striking, a sky filled with snow falling.