Siamo molto cortesi l'uno con l'altro,
diciamo che e' bello incontrarsi dopo anni.
Le nostre tigri bevono latte.
I nostri sparvieri vanno a piedi.
I nostri squali affogano nell'acqua.
I nostri lupi sbadigliano alla gabbia aperta.
Eugene de Blaas | Pittore di genere
Nacque ad Albano (Roma) il 24 luglio 1843 dal pittore Austriaco Carl von Blaas e da Agnese Auda, italiana.
Carl (Manders, Tirolo, 1815-Vienna 1894), che era stato chiamato in Italia nel 1832 dallo zio Francesco Purtscher di Eschenburg per frequentare l'accademia di Venezia, fu dal 1837 a Roma dove venne in contatto con il circolo dei Nazareni e ritornò a Vienna nel 1851; dall'estate 1856 fu a Venezia come professore presso l'accademia; ritornò definitivamente a Vienna nel 1866.
Un suo ritratto del figlio Eugenio a 5 anni è stato esposto a Vienna nel Belvedere superiore nel 1985.
Il de Blaas, dapprima allievo dei padre all'accademia di Venezia, si formò successivamente a Roma (nel 1862 vinse il pensionato; Marini, 1905, p. 249).
Federico Garcia Lorca | Alba
Il mio cuore angustiato
avverte alle prime luci
la pena del suo amore
e il sogno di lontananza.
La luce d'aurora reca
una vena di rimpianti
Maurice Prendergast | Pittore post-impressionista
Maurice Brazil Prendergast (10 ottobre 1858 - 1 febbraio 1924) è stato un artista post-impressionista Americano che ha lavorato ad olio, acquerello e monotipo.
Espose come membro degli Eight - la Ashcan School, un movimento artistico negli Stati Uniti tra la fine del XIX e l'inizio del XX secolo, noto soprattutto per le opere che ritraggono scene di vita quotidiana a New York, spesso nelle zone più povere della città quartieri - sebbene la delicatezza delle sue composizioni e la bellezza musiva del suo stile differissero dalle intenzioni artistiche e dalla filosofia del gruppo.
Pablo Neruda: Ode alla Pace / Peace for twilights to come!
Sia pace per le aurore che verranno,
pace per il ponte, pace per il vino,
pace per le parole che mi frugano
più dentro e che dal mio sangue risalgono
legando terra e amori con l’antico
canto;
Walter Crane (1845-1915) The Angel of Peace
Beatrice Parsons | Garden painter
Beatrice Emma Parsons (1870–1955) was a British painter and is best known for her watercolours of garden subjects. Parsons, along with George Samuel Elgood and Ernest Arthur Rowe, is considered one of the leading English painters of gardens.
Parsons was born in Peckham, South London, England in 1870.
She was sister to Karl Parsons, a stained-glass artist, who commemorated their family in a stained-glass window in St. Matthew's Church, Oxhey.
Parsons attended the Haberdashers' Aske's School for Girls and studied at King's College London, before attending the Royal Academy Schools, where she won three prizes.
Pierre-Auguste Renoir at the Museum Barberini
Pierre-Auguste Renoir | The Pear Tree, 1877
In the early 1860s Pierre-Auguste Renoir had studied in the Paris atelier of Swiss history painter Charles Gleyre.
Together with his fellow pupils Frédéric Bazille, Claude Monet and Alfred Sisley, he belonged to the nucleus of the group that would become known as Impressionists in the mid-1870s.
Renoir’s early experiments with painting in the open air were decisive for the development of his visual language. In a departure from traditional methods, he worked en plein air not merely for studies, but also, like Monet, in order to create independent, finished works.
Childe Hassam | Geraniums, 1888-1889
From: Christie's
Following a successful career in Boston, in 1886 the celebrated American Impressionist Childe Hassam (1859-1935) journeyed to Paris with his wife Maud where he would remain until 1889.
During this time in the summer months, the Hassams visited the country home of German businessman Ernest Blumenthal and his wife, who was friends with Mrs. Hassam, in Villiers-Le-Bel, a small town ten miles northeast of Paris in the Val d’Oise.
Sandro Botticelli
At the height of his fame, the Florentine painter and draughtsman Sandro Botticelli (1445-1510) was one of the most esteemed artists in Italy.
His graceful pictures of the Madonna and Child, his altarpieces and his life-size mythological paintings, such as 'Venus and Mars', were immensely popular in his lifetime.
The son of a tanner, he was born Alessandro di Mariano Filipepi, but he was given the nickname 'Botticelli' (derived from the word 'botticello' meaning 'small wine cask').
Marie Laurencin | Pittrice cubista
Nel 1907 espose per la prima volta al Salon des Indépendants.
Nello stesso anno Picasso le fece conoscere Guillaume Apollinaire.
Da questo incontro nacque un legame passionale e tumultuoso che durò fino al 1912.
Nel 1914 sposò il barone Otto von Wätjen. La coppia si spostò in Spagna dopo la dichiarazione di guerra, prima a Madrid e poi a Barcellona.
Dod Procter | Morning, 1926 | Tate
In 1922, Dod Procter (British painter, 1890-1972) began to paint a series of simple, monumental portraits of young women that she knew.
Emphasising the fall of light across the figures, Proctor gave them a powerful presence.
This painting features Cissie Barnes, the sixteen-year-old daughter of a fisherman from Newlyn in Cornwall.
This village was home to Procter for most of her working life.
This painting was voted 'Picture of the Year' at the 1927 Summer Exhibition, a yearly show at the Royal Academy in London.
It was bought for the nation by the Daily Mail newspaper.
The popularity of the painting led to its being displayed in New York, followed by a tour of Britain.
Dod Procter | Morning, 1926 | Tate
Wisława Szymborska | The End and the Beginning / La Fine e l'Inizio
Dopo ogni guerra
c'è chi deve ripulire.
In fondo un po' d'ordine
da solo non si fa.
C'è chi deve spingere le macerie
ai bordi delle strade
per far passare
i carri pieni di cadaveri.
Pablo Picasso | Guernica, 1937 | Museo Nacional Centro de Arte Reina Sofía, Madrid
Vincent van Gogh | Edge of a Wheat Field with Poppies, 1887
From: Denver Art Museum
Edge of a Wheat Field with Poppies, made in the summer of 1887, gives a sense of the many influences van Gogh was exposed to during his first year in the "hotbed of ideas" [as he called Paris in a letter to his sister].
The small painting captivates us with its bright contrast between the orange yellow of the field and the complementary radiant blue of the sky, the dark green of the new shoots coming up and the vivid vermillion of the poppies, sprinkled across the canvas in free dashes.
The vertical space is evenly divided between earth and sky. The vantage point is surprisingly low to the ground; we look at the scene as though up a hill.
This is not the vast expanse of field shown in Caillebotte’s painting or van Gogh’s later landscapes, but a detail - a highly fragmented view. A slender poplar arcs along the left edge of the painting, and clusters of budding stalks seem to dance on the horizon line.
Vincent van Gogh | Edge of a Wheat Field with Poppies, 1887 | Denver Art Museum
Sir Peter Lely | Study for a Portrait of a Woman, 1670
From: Metropolitan Museum of Art
This sketch provides a good example of Sir Peter Lely’s (Dutch-born English Baroque Era Painter, 1618-1680) working method, as one of the most successful portraitists in England in the second half of the seventeenth century.
Following the example of Van Dyck, Lely painted only the sitter’s head in his or her presence, sometimes laying in an outline for the pose and costume.
Camille Pissarro at the Museum Barberini
Camille Pissarro | Boulevard Montmartre, Twilight, 1897
In a series of fourteen paintings Camille Pissarro focused on the Boulevard Montmartre in the center of Paris.
From his room in the Grand Hôtel de Russie, with the opera building behind him, he had a view of the busy street on which twenty thousand carriages rattled by every day, past the expensive shops and the popular Café Tortoni.
This picture shows the boulevard with fresh green trees in springtime. | Source: © Museum Barberini
Ingrid Tusell, 1978 | Pittrice surrealista
Ingrid Tusell è un'artista nata a Barcellona ed ora vive in un vecchio mulino restaurato nel terreno montuoso di Teruel, in Spagna.
Ingrid dipinge donne che ricordano le forti guerriere indigene.
Il loro sguardo congelato e intenso permea un senso di conoscenza "ultraterrena" e di energia universale femminile.
Spesso crivellati di vita animale e vegetale, i soggetti femminili di Ingrid si fondono all'interno dei loro ambienti consentendo loro di avere una connessione simbiotica con la natura.
Dorothy Johnstone | Modern painter
Dorothy Johnstone (1892-1980) è stata una pittrice ed acquerellista Scozzese.
Johnstone è nata ad Edimburgo nel 1892 ed è cresciuta a Napier Road, vicino alla Gothic Mansion, Rockville.
Suo padre, il paesaggista George Whitton Johnstone RSA (1849-1901), incoraggiò il suo talento artistico ed all'età di 16 anni si iscrisse come studentessa all'Edinburgh College of Art.
Ha frequentato un corso con Ernest Stephen Lumsden dove ha rivelato il suo talento nella ritrattistica informale, un genere per il quale è diventata famosa.
Nel 1914 divenne membro del personale dell'Edinburgh College of Art.
Pierre-Auguste Renoir | Champ de bananiers, 1881
Starting in 1881 the art dealer Paul Durand-Ruel regularly bought paintings from Pierre-Auguste Renoir.
The painter then undertook all the trips he had previously been unable to afford and which would complete his artistic training.
His first trip took him to Algeria, in the footsteps of Delacroix whom he admired. Renoir's visual experience there was as intense as it had been for the older artist.
Seduced by the colours and the "incredible wealth" of nature here, he produced several pure landscapes, quite rare in his oeuvre.
This field of banana trees is in the Essai garden in Hamma, created in 1832 in Algiers.
Francis Sydney Muschamp | Pittore di genere
Francis Sydney Muschamp was an British painter, the son of the landscape painter, Francis Muschamp (active 1865-1881).
The family moved to London in 1865, the year that Muschamp Sr. began to exhibit at the Royal Society of British Artists.
The younger Muschamp began to exhibit at the Royal Society of British Artists in 1870 and continued to exhibit his paintings at the major halls until 1903.
Anna Airy | War artist
Anna Airy (6 June 1882 - 23 October 1964) was an British oil painter, pastel artist and etcher. She was one of the first women officially commissioned as a war artist and was recognised as one of the leading women artists of her generation.
Early life
Airy was born in Greenwich, London, the daughter of an engineer, Wilfrid Airy, and Anna née Listing, and the granddaughter of the Astronomer Royal George Biddell Airy.
Airy trained at the Slade School of Fine Art in London from 1899-1903, where she studied alongside William Orpen and Augustus John, and under Fred Brown, Henry Tonks and Philip Wilson Steer.
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