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Franz Skarbina | Pittore impressionista

Franz Skarbina (1849-1910) è stato un pittore impressionista Tedesco, disegnatore, incisore ed illustratore.
Nato a Berlino, era figlio di un orafo di Zagabria.
Dal 1865-1869, ha studiato all'Accademia delle arti prussiane.
Dopo la laurea, ha trascorso due anni come tutor alle figlie del conte Friedrich von Perponcher-Sedlnitzky (1821-1909), durante il quale ha viaggiato a Dresda, Vienna, Venezia, Monaco, Norimberga e Merano.


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Dietz Edzard (1893-1963)

Dietz (Dietrich Hermann) Edzard (1893-1963) was born in Bremen.
From 1911, he studied painting at Max Beckmann in Berlin, and worked in the Netherlands thereafter.
In 1927, he moved to France, and in 1929 the first exhibition of his work took place in Paris at the Jeu de Paume, a museum exclusively devoted to Impressionist masters. He got married to the artist Suzanne Eisendieck (1908-1998) in 1938.
During the Second World War, he was captured in the detention and deportation camp Les Milles.
His works are held by the collections of international art museums, and by American and Canadian private collections.
Guiding themes of his creativity are the circus and the theatre.


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Luciano Ventrone | Hyperrealist painter

Born in Rome, Luciano Ventrone attended Liceo Artistico in Rome. After graduation in 1946 he started studying Architecture. In 1968 he left the University and focused on painting.

Even though Luciano Ventrone is internationally recognized as one of the master realist painters of his generation, he believes that his works are really about optics:
"Painting is not about the mere representation of an object, but its color and light", he says.
"The subject cannot be seen as it is but as an abstract element".


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Luigi Pastega | Genre painter

Luigi Pastega (Venice, 1858-1927) was an Italian painter, mainly of genre subjects.
He was a pupil of Pompeo Marino Molmenti and Napoleone Nani at the Accademia di Belle Arti in Venice.
He continued to reside in Venice painting vedute and genre subjects in a style that recalled Giacomo Favretto.


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Napoleone Nani | Genre painter

Napoleone Nani (Venice 1841- Verona, 1899) was an Italian painter, active in Venice, where he became professor of the Accademia di Belle Arti.
In 1877 at Naples, he displayed his self-portrait and a canvas titled: La posa; in 1881 at Venice, he displayed: La macchina riposa, il cuore lavora; at the 1883 Promotrice of Florence: Lo studio dal vero; at Rome the same year: Lo studio del nudo and Il primo pensiero ai miei fiori. Successively in Turin, Milan, and Rome, he exhibited: Vizio, Trattative di conciliazione, Giudizio di un intelligente, and Studio.


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Cesar Santos

Cesar Santos (born July 10, 1982) is a contemporary Cuban-American artist and portrait painter.
He is better known for his body of work "Syncretism", a term he uses to describe paintings where he presents two or more art tendencies in aesthetic balance.
He has completed numerous commissions and his work is held in private as well as public collections around the world.


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Max Liebermann (1847-1935) | Life and Artworks

Max Liebermann (20 July 1847 - 8 February 1935) was a German painter and printmaker of Ashkenazi Jewish ancestry, and one of the leading proponents of Impressionism in Germany.
The son of a Jewish fabric manufacturer turned banker from Berlin, Liebermann grew up in an imposing town house alongside the Brandenburg Gate.
He first studied law and philosophy at the University of Berlin, but later studied painting and drawing in Weimar in 1869, in Paris in 1872, and in the Netherlands in 1876-77.
During the Franco-Prussian War (1870-71), Liebermann served as a medic with the Order of St. John near Metz. After living and working for some time in Munich, he finally returned to Berlin in 1884, where he remained for the rest of his life. He was married in 1884 to Martha Marckwald (1857-1943).


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Henry John Stock | Influences, 1905

Henry John Stock (1853-1930) is one of those minor but highly individual artists who are among the glories of the English Romantic tradition.
Born in Greek Street, Soho, in 1853, he went blind in childhood but recovered his sight on being sent to live at Beaulieu in the New Forest.
He studied at the St. Martin's School of Art and the Royal Academy Schools, and is said to have been encouraged by the engraver W.J. Linton, who took him to Italy. (It seems unlikely that this was before 1866, when Linton settled in America, since Stock would only have been thirteen at the time.


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Eugeniusz Żak | Pittore Post-Impressionista

Eugeniusz Zak (1884-1926) è stato un pittore Polacco.
All'inizio Zak espresse il suo temperamento artistico attraverso un sofisticato uso della linea, facendo riferimento nei suoi ritratti a sanguigna alle opere di Leonardo, Botticelli, Hans Holbein il giovane e Dürer.
Poi, nella prima fase della sua carriera, si accostò allo stile dei Nabis, mediante l'elaborazione di superfici piatte, circoscritte in modo sfumato, senza contorni precisi e dai colori leggermente opachi.


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Ernest Higgins Rigg (1868-1947) | The Potato Pickers

Ernest Higgins Rigg was a British painter🎨 of rural genre, landscapes and portraits.
Rigg was born in Bradford and studied at the School of Art there and then at the Acade´mie Julian in Paris.
He first visited Staithes in 1896 and lodged in Hinderwell at Quaker Garth and later stayed at the village’s Commercial Hotel. He moved to Sussex in 1908, but returned to Yorkshire after the First World War, living in Shipley in 1918 and Richmond in 1919. His brothers, Alfred and Arthur H. were both artists.


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Giuseppe Arcimboldo (Italian, 1527-1593)


Giuseppe Arcimboldo was an Italian painter best known for creating imaginative portrait heads made entirely of such objects as fruits, vegetables, flowers, fish and books, that is, he painted representations of these objects on the canvas arranged in such a way that the whole collection of objects formed a recognizable likeness of the portrait subject.
Arcimboldo was born in Milan in 1527, the son of Biagio, a painter who did work for the office of the Fabbrica in the Duomo.
Giuseppe Arcimboldo did not leave written certificates on himself or his artwork. After the deaths of Arcimboldo and his patron—the emperor Rudolph II—the heritage of the artist was quickly forgotten, and many of his works were lost. They were not mentioned in the literature of the 17th and 18th centuries. Only in 1885 did the art critic K. Kasati publish the monograph "Giuseppe Arcimboldi, Milan Artist" in which the main attention was given to Arcimboldi's role as a portraitist.

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Ettore Tito | Le mondine in Polesine, 1885


Ettore Tito🎨 (17 December 1859 - 26 June 1941) was an Italian artist🎨 particularly known for his paintings of contemporary life and landscapes in Venice and the surrounding region.
He trained at the Accademia di Belle Arti in Venice and from 1894 to 1927 was the Professor of Painting there.

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Tatiana Deriy, 1973

Tatiana Deriy / Татьяна Дерий è una pittrice in continua crescita, il cui principale obiettivo creativo è la comprensione dell'unità della bellezza estetica del mondo e del suo significato profondo, nonché la loro trasmissione agli spettatori attraverso la pittura.
L'artista è nata nel 1973 nella regione di Mosca.
Nel 1991 si è laureata con lode presso l'Istituto statale d'arte di Mosca e nel 1999 si è laureata presso l'Istituto accademico statale di Mosca intitolato a V.I. V.I.Surikov.


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Max Svabinsky (1873-1962)

Max Švabinský (1873-1963) was a Czech painter🎨, draughtsman, graphic artist, and professor in Academy of Graphic Arts in Prague.
Švabinský is considered one of the more notable artists in the history of Czech painting and produced significant work during the first half of the 20th century.
He was relatively unusual among modernist artists in that his work was accepted by the communist regime; this was due at least in part to his having formed his artistic personality prior to 1900, prior to the advent of cubism. | © Wikipedia


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Pierre-Auguste Renoir | Seascape, 1879

Artist: Pierre-Auguste Renoir (French, 1841-1919)
Title: Seascape
Origin: France
Date: 1879
Medium: Oil on canvas
Inscriptions: Inscribed lower right: Renoir'79
Dimensions: 72.6 × 91.6 cm (28 1/2 × 36 in.)
Credit Line: The Art Institute of Chicago, Potter Palmer Collection
Reference Number: 1922.438


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Henri Lamy, 1985 | Abstract painter


Henri Lamy is a French figurative painter, being used to paint, thanks to his father, when he was a kid, Henri admires Pollock «drip painting» technique (that consists in dropping paint from the palette knife he uses, straight to the canvas, or even throwing it).

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Angelo Morbelli | Per 80 centesimi! 1895

L’opera di Angelo Morbelli, uno dei capolavori del Museo Borgogna, venne acquistata nel 1912 alla Mostra d’Arte della campagna irrigua tenutasi a Vercelli, a pochi anni dall'apertura al pubblico del Museo.
Il dipinto, firmato e datato 1895, ha avuto una lunga e tormentata elaborazione, come testimonia la corrispondenza fra l’artista e il collega Giuseppe Pellizza da Volpedo: iniziato nel 1893, venne ripreso prima di essere esposto nel 1895 alla Biennale di Venezia.
La tela assume un ruolo importante per la collezione, non solo per l’appartenenza alla corrente pittorica del Divisionismo, ma soprattutto per il soggetto fortemente connesso al territorio vercellese.


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Djordje Prudnikoff in Italy

At the International competition for new ideas in furniture design, in 1968 in Italy, Djordje Prudnikoff (1939-2017) was granted a reward and 3 months scholarship by the company called Sormani from Milan for perfecting himself in furniture design.
During and after his studies he was mostly occupied with creations in the field of applied arts and took part in projects for furniture and applied pottery for several well-known Italian enterprises.
His work were selected for the ITALIAN DESIGN exhibitions in many European metropolises, and that was the time when Italian design was considered one of the best in the world.


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Vincent Van Gogh | Portraits


Vincent van Gogh🎨 lived during the Impressionist era. With the development of photography, painters and artists turned to conveying the feeling and ideas behind people, places, and things rather than trying to imitate their physical forms.
Impressionist artists did this by emphasizing certain hues, using vigorous brushstrokes, and paying attention to highlighting.
Vincent van Gogh implemented this ideology to pursue his goal of depicting his own feelings toward and involvement with his subjects.
Van Gogh's portraiture focuses on color and brushstrokes to demonstrate their inner qualities and van Gogh's own relationship with them.
Vincent van Gogh painted portraits throughout his career from 1881-1890.

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Hans Thoma | Solitude, 1906

Hans Thoma (October 2, 1839 - November 7, 1924) was a German Symbolist painter.
In his love of the details of nature, in his precise drawing of outline, and in his predilection for local coloring, he has distinct affinities with the Pre-Raphaelites.
Many of his pictures have found their way into two private collections in Liverpool.
A portrait of the artist and two subject pictures, The Guardian of the Valley and Spring Idyll are at the Galerie Neue Meister; Eve in Paradise and The Open Valley at the Städel.