6 artworks to look out for at Tate Britain

Sir John Everett Millais | Mariana, 1851 | Tate Collection

This painting by British painter John Everett Millais (1829-1896) is of Mariana, a character from Shakespeare’s play Measure for Measure.

The story goes that Mariana’s fiancé Angelo leaves after her family’s money is lost in a shipwreck.

Still in love with him, she hopes they will be reunited.

Millais shows Mariana pausing to stretch her back after working at some embroidery, with the autumn leaves scattered on the ground marking the passage of time.

The stained-glass windows in front of her show the Annunciation, contrasting the Virgin's fulfilment with Mariana's frustration and longing.

Sir John Everett Millais | Mariana, 1851 | Tate Collection

James Tissot | Holiday, 1876

The autumn sun glows through the yellow leaves of the horse chestnut tree in this picnic scene.

The setting is the garden of James Tissot’s house in St John’s Wood, London, very close to Lord’s cricket ground.

Artist: James Tissot (1836-1902)

Medium: Oil paint on canvas

Dimensions support: 762 × 994 × 20 mm frame: 925 × 1185 × 95 mm

Collection: Tate

John Gulich | A Violin Concerto, 1898

John Percival Gülich (also Gulich) (1864-1898) was a British illustrator, engraver and artist.

Gülich was born in Wimbledon in 1864, the son of Hermann Gülich, a London merchant of German origin, and Eleanor. He was educated at Charterhouse School.

He lived in Bremen for five years, working in his father's office.

He became Art Editor of the illustrated newspapers The Pictorial World and The Graphic, and also contributed to Harper's Magazine.

John Gulich | A Violin Concerto, 1898 | Tate

Richard Westall | The Reconciliation of Helen and Paris.., 1805

Richard Westall RA (1765-1836) was an English painter and illustrator of portraits, historical and literary events, best known for his portraits of Byron.

He was also Queen Victoria's drawing master.

Westall was the more successful of two half-brothers (both sons of a Benjamin Westall, from Norwich) who both became painters.

His younger half-brother was William Westall (1781-1850), a much-travelled landscape painter.

Richard Westall | The Reconciliation of Helen and Paris after his Defeat by Menelaus, 1805

Elliott Seabrooke | Post Impressionist painter

Elliott Seabrooke (1886-1950) was a British landscape and still-life painter.

His work is in the permamnent collection of the Tate.

Seabrooke was born in Upton Park, Essex (now London).

Seabrooke studied at the Slade School of Fine Art from 1906-1911, painted mainly in the Epping Forest and the Lake District, later also repeatedly in Holland, France and Italy.

Dod Procter | Morning, 1926 | Tate

In 1922, Dod Procter (British painter, 1890-1972) began to paint a series of simple, monumental portraits of young women that she knew.

Emphasising the fall of light across the figures, Proctor gave them a powerful presence.

This painting features Cissie Barnes, the sixteen-year-old daughter of a fisherman from Newlyn in Cornwall.

This village was home to Procter for most of her working life.

This painting was voted 'Picture of the Year' at the 1927 Summer Exhibition, a yearly show at the Royal Academy in London.

It was bought for the nation by the Daily Mail newspaper.

The popularity of the painting led to its being displayed in New York, followed by a tour of Britain.

Dod Procter | Morning, 1926 | Tate

Charles Ginner (Post-Impressionist painter, 1878-1952)

Charles Isaac Ginner CBE ARA was a Franco-British painter painter of landscape and urban subjects.

Born in the south of France at Cannes, of British parents, in 1910 he settled in London, where he was an associate of Spencer Gore and Harold Gilman and a key member of the Camden Town Group.

Early years and studies

Charles Isaac Ginner was born on 4 March 1878 in Cannes, the second son of Isaac Benjamin Ginner, a British doctor.

He had a younger sister, Ruby (b. 1886; who became the dance teacher Ruby Dyer). He was educated in Cannes at the Institut Stanislas.

Arthur Hughes | April Love, 1856 | Tate Gallery

"April Love" is a painting by the British Pre-Raphaelite painter Arthur Hughes (1832-1915) which was created between 1855-1856.

It was first exhibited at the Royal Academy of Arts in 1856.

Originally acquired by William Morris, the painting was purchased by the Tate Gallery, London (now Tate Britain) in 1909 and has remained in the Tate collection to the present day.