Showing posts with label Pinacoteca di Brera. Show all posts
Showing posts with label Pinacoteca di Brera. Show all posts
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Francesco Hayez | Melancholy, 1841-1842

Melancholy is an oil-on-canvas painting created during 1841-1842 by Francesco Hayez (Italian Romantic painter, 1791-1882).
The painting, measuring 138,6 x 104cm, is part of the collection of the Pinacoteca di Brera, in Milan.
The work, executed between 1840 and 1842, is full of erudite references to the Italian and European pictorial tradition: from reflections on the 16th-century painting of the Veneto exemplified by the treatment of the clothing, which echoes the textural effects of Savoldo and Titian, to the citation of Flemish still lifes.
Painted for Marquis Filippo Ala Ponzoni, a patron of the arts, patriot and follower of Giuseppe Mazzini, this picture owed its popularity both to its outstanding quality and to its emblematic value, making it a symbol of the restlessness of Romanticism.

Francesco Hayez (Italian, 1791-1882) | Malinconia, 1841-1842 | Pinacoteca di Brera

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Massimo D'Azeglio | A vendetta, 1834-1835

"A Vendetta" is an oil on canvas by Massimo D'Azeglio, created in 1834-1835.
The painting, measuring 179 x 225 cm, is part of the collection of the GAM - Galleria d'Arte Moderna di Milano.
Massimo Taparelli, Marquess of Azeglio (24 October 1798 - 15 January 1866), commonly called Massimo d'Azeglio, was an artist, writer and minister during the Italian Risorgimento.
A vendetta belongs to the historical landscape genre - this refers to landscape paintings drawn "from life" or in a realistic fashion, but populated with figures from history or literature.

Massimo D'Azeglio | Una vendetta, 1834-1835 | GAM - Galleria d'Arte Moderna di Milano

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Marco d'Oggiono | Elevazione della Maddalena, 1522-1524

Elevazione della Maddalena was created in 1522-1524 by Marco d'Oggiono (1470-1540), Italian Renaissance painter and a chief pupil of Leonardo da Vinci.
The painting, measuring cm 146x103, is part of the collection of the Pinacoteca Brera, Milano.
The artwork, on a stylistic level is noted for, other than Leonardo’s influences, also the peaceful sweetness of Raphael and the sensuality of Correggio, represents Saint Mary Magdalene elevated to heaven by a multitude of angels.

Marco d'Oggiono | Elevazione della Maddalena, 1522-24 | Pinacoteca Brera, Milano