Anna Ancher | Sewing fisherman's wife, 1890

Sewing fisherman's wife is an oil on canvas painting created by Anna Ancher (Danish Skagen painter, 1859-1935) in 1890.

The painting is in the collection of the Randers Museum of Art in Denmark.

Anna Anchers is celebrated for her transgressive use of color and her fabulous ability to capture a ray of sunlight.

The fine work Sewing fisherman's wife is significant for the artist's work with sunlight in an interior.

Anna Ancher | Sewing fisherman's wife, 1890 | Randers Museum of Art in Denmark

Claude Monet | Deux femmes en barque, 1887

In 1883, Claude Monet (1840-1926) acquired a property in Giverny, a small village in his native Normandy.

Over the next several decades, the artist transformed the isolated, overgrown grounds that surrounded his new home into a lush private paradise, replete with overflowing flowerbeds, sweeping willow trees, wisteria vines, and an infamous waterlily pond.

This curated gardenscape would ultimately inspire some of the artist’s most infamous works in the second half of his career.

Claude Monet | Deux femmes en barque, 1887 | Christie's

Joseph Lorusso, 1966 | Il pittore romantico

Di origini italiane, Joseph Lorusso è stato esposto all'arte in tenera età.

Attraverso diversi viaggi iniziali in Italia, i suoi genitori lo hanno introdotto alle opere dei maestri italiani.

Lorusso avrebbe guardato a queste influenze durante il suo primo sviluppo artistico e sono ancora evidenti nel suo lavoro odierno.

Durante gli anni della scuola, Lorusso si è specializzato in acquerelli e si considera un autodidatta come pittore ad olio.

Camille Pissarro at the Christie's

Camille Pissarro | Paysannes travaillant dans les champs, Pontoise, 1881

In Paysannes travaillant dans les champs, Pontoise, painted in 1881, Camille Pissarro (1830-1903) depicts a group of five young women harvesting peas on the rural outskirts of Pontoise, a bustling market town about forty kilometers northwest of Paris where he and his family had lived for over a decade.

Pissarro had first treated the theme of picking peas in two oils the previous year, and he returned to the motif at least three times following his move to the agrarian hamlet of Éragny in 1884.

Camille Pissarro | Paysannes travaillant dans les champs, Pontoise, 1881 | Christie's

Eduardo León Garrido | Belle Époque painter

Spanish painter Eduardo León Garrido (1856-1949), was a significant figure in the Impressionist movement.

Trained at the Academy of Fine Arts of San Fernando, he later moved to Paris where he was influenced by French artistic trends, particularly the works of Manet and the Impressionists.

He is known for his elegant portraits and genre scenes, often bathed in soft, natural light.

Camille Pissarro | The Avenue, Sydenham, 1871

"The Avenue, Sydenham" is an 1871 oil painting by a Danish-French Impressionist and Neo-Impressionist painter Camille Pissarro (1830-1903).

This work is a product of the Impressionism movement, measuring 48 x 73 cm.

It currently resides in the National Gallery in London, UK.

From The National Gallery, London: Following the outbreak of the Franco-Prussian War in 1870, Camille Pissarro and his family left France and moved to London.

This picture is one of 12 he painted while in self-imposed exile there.

One of the largest paintings in the group, this springtime scene, with the trees just coming into leaf, would have been completed in April or May 1871, shortly before Pissarro’s return to France.

Camille Pissarro | The Avenue, Sydenham, 1871 | National Gallery, London

Claude Monet | Le ninfee

Nel 1890 che Monet acquista la sua casa a Giverny ed un anno dopo realizza il suo bellissimo giardino fiorito, il Clos Normand, una vera e propria opera d’arte.

Marcel Proust (1871-1922) descriveva cosi il giardino di Monet nel suo "Alla ricerca del tempo perduto":

« [...] giacché il colore che creava in sottofondo ai fiori era più prezioso, più commovente di quello stesso dei fiori; e sia che facesse scintillare sotto le ninfee, nel pomeriggio, il caleidoscopio di una felicità attenta, mobile e silenziosa, sia che si colmasse verso sera, come certi porti lontani, del rosa sognante del tramonto, cambiando di continuo per rimanere sempre in accordo, intorno alle corolle dalle tinte più stabili, con quel che c'è di più profondo, di più fuggevole, di più misterioso - con quel che c'è d'infinito - nell'ora, sembrava che li avesse fatti fiorire in pieno cielo».

Claude Monet | Valley of the Petite Creuse, 1889

The striking effects of Monet’s several paintings of the Creuse Valley in central France are achieved through complex, superimposed layers of color, as he combined bold brushstrokes with intricate passages made up of many small touches.

Title: Valley of the Petite Creuse

Author: Claude Monet (French painter, 1840-1926)

Date: 1889

Medium: Oil on canvas

Dimensions: 65.4 x 81.3 cm (25 3/4 x 32 in.)

Current location: Museum of Fine Arts, Boston

John Joseph Enneking | Spring Hillside, 1899-1902

John Joseph Enneking was born in Ohio in 1841 and was orphaned at a young age. He began to paint at the age of five and developed a natural talent before travelling East to New York and Massachusetts.

He trained in Germany, Italy and France and he was the first American to return from Paris in 1874 after having painted with Claude Monet, Pissarro and Renoir in Monet’s gardens at Argentueil (where Enneking painted Monet’s wife and child).

Benjamin Osro Eggleston | Young Woman in a Theater Box, 1891

"Young Woman in a Theater Box" is an 1891 oil painting by Benjamin Osro Eggleston (1867-1937).

A landscape painter in the tonal style and figures, Benjamin Osro Eggleston was born in Belvidere, MN and studied art at the Minneapolis School of Fine Arts under Douglas Volk.

He also traveled to Paris where he completed additional studies.

Upon his return he established a studio in Brooklyn from which he worked and traveled.

From 1900-1920 he summered at the Old Lyme Art Colony and in the 1930's he spent his time in West Stockbridge, Massachusetts.

Jakub Schikaneder | The Kampa Lovers, 1894

"The Kampa Lovers" is an 1894 painting by the Czech painter and professor Jakub Schikaneder (1855-1924).

Schikaneder is known for his soft paintings of the outdoors, often lonely in mood.

His paintings often feature poor and outcast figures and "combined neo-romantic and naturalist impulses".

Other motifs favoured by Schikaneder were autumn and winter, corners and alleyways in the city of Prague and the banks of the Vltava – often in the early evening light, or cloaked in mist.

Ralph Albert Blakelock | A Waterfall, Moonlight, 1886

This painting was shown at the National Academy of Design exhibition in 1886 and is a fine example of Blakelock's mature painting style.

Although it features elements that are typical of the artist's style -generalized and silhouetted forms, glowing moonlight, and thick paint- it is particularly strong and subtle in comparison.

The foliage that frames the edge of the canvas echoes the irregular contours of the tree so much that the forms seem almost able to interlock.

The brushwork is varied with pigment loosely appled to create a richly colored surface, especially in the boundary between the light sky and the dark leaves. | Source: © Metropolitan Museum of Art

Lionel Walden | Breaking Waves

Lionel Walden (1861-1933) was an American painter active in Hawaii, Cornwall and France.

He was born in Norwich, Connecticut.

He first became interested in art in Minnesota, where the family moved when his father became rector of an Episcopal Church there.

Claude Monet | The Manneporte (Etretat), 1883

Monet spent most of February 1883 at Étretat, a fishing village and resort on the Normandy coast.

He painted twenty views of the beach and the three extraordinary rock formations in the area: the Porte d'Aval, the Porte d'Amont, and the Manneporte.

The sunlight that strikes the Manneporte has a dematerializing effect that permitted the artist to interpret the cliff almost exclusively in terms of color and luminosity.

Claude Monet | The Manneporte (Etretat), 1883 | Metropolitan Museum of Art

Claude Monet | Boating on the River Epte, 1890

Boating on the River Epte (also known as The Canoe on the Epte) is an 1890 oil painting by French impressionist artist Claude Monet.

It is currently housed at the São Paulo Museum of Art.

Between 1887 and 1890 Monet concerned himself with portraying scenes from the River Epte, which skirted his property at Giverny.

The sisters Suzanne and Blanche Hoschedé posed for this series of pictures, their late father being banker Ernest Hoschedé, a patron of the arts and collector of Monet, and their mother, Alice, who became Monet's second wife.

Claude Monet | Boating on the River Epte, 1890 | São Paulo Museum of Art

Claude Monet | Camille Monet à la fenêtre, 1873

In 1871, Monet took up residence in the Maison Aubry on rue Pierre Guienne in Argenteuil.

It was situated down the street from the train station, making it possible for the artist to commute to his Paris studio and return home in the evening.

Although Maison Aubry served as a frequent meeting place for Impressionist painters as well as collectors, writers, and journalists, this painting provides a rare glimpse into the interior of the Monets’ home.

Claude Monet | Camille Monet à la fenêtre, 1873 | Virginia Museum of Fine Arts, Richmond

Claude Monet | The Stroller (Suzanne Hoschede), 1887

This painting of Suzanne Hoschedé in the meadows just south of Le Pressoir, Monet's home at Giverny, was probably made in the summer of 1887.

She became Monet's preferred model in the period after the death of his first wife, Camille, in 1879, and before 1890, when he gave up plein-air figure painting.

The model was the daughter of Alice Hoschedé, whom Monet married in 1892. | Source: © Metropolitan Museum of Art

Edgar Degas | Portrait of Estelle Musson Degas, 1872

Edgar Degas arrived in New Orleans in 1872 for an extended stay, two years after he had enlisted in the National Guard during the Franco-Prussian War, and two years before he would join a group of painters back in Paris for the first of what would become known as the Impressionist Exhibitions.

It was a pivotal time in his career, one that brought to the fore many important familial, artistic, and personal connections.

Claude Monet | The Japanese Bridge, 1900

In 1883, Claude Monet moved to Giverny, about forty miles northwest of Paris.

For the rest of his life, he devoted himself to painting and tending his gardens, which included the Japanese footbridge in this picture.

His style became more expressive as he piled thick pigments layer upon layer in ever more intense colors that often didn’t correspond to reality (possibly because his eyesight was failing).

Giving up any desire to record minute details, he wove tangled skeins of paint with bold strokes, seeming more concerned with nature’s mysteries than with mere appearance.

Édouard Manet | Young Lady in 1866, 1866

Manet’s model, Victorine Meurent, had recently posed as the brazen nudes in Olympia and Luncheon on the Grass (both Musée d’Orsay, Paris).

Here, appearing relatively demure, she flaunts an intimate silk dressing gown.

Critics eyed the painting as a rejoinder to Courbet’s Woman with a Parrot and as indicative of Manet’s "current vice" of failing to "value a head more than a slipper".