Hugo Salmson | Something in the air

Hugo Fredrik Salmson (1843-1894) was a Swedish painter, known for figures and genre scenes.

Salmson was born in Stockholm, Sweden.

He was the son of Fredrik Ludvig Salmson, a wholesaler, and his wife Maria Perlberg. He initially studied business, but soon decided on an artistic career.

In 1862, he began his studies at the Royal Swedish Academy of Fine Arts where he was trained by Johan Christoffer Boklund.

William Henry Gore | Pittore romantico

William Henry Gore RI (1857–1942) è stato un pittore ed acquerellista inglese vissuto tra la fine dell'epoca vittoriana e l'inizio del XX secolo.

È noto per i suoi paesaggi rurali del Berkshire, sua terra natale, e per i suoi piccoli dipinti di genere, raffiguranti bambini ed animali.

Gore si collocava nella tradizione del tardo Romanticismo e Naturalismo vittoriano, fioriti nel periodo a cavallo tra l'inizio del XX secolo, ma che rapidamente divennero fuori moda all'indomani della Grande Guerra e dei successivi cambiamenti sociali e politici.

Václav Brožík | Pittore accademico

Václav Brožík (1851-1901) è stato uno storico dell'arte, considerato il più grande pittore accademico Ceco.

Nel 1896 divenne il primo, e finora unico artista Ceco, a diventare membro dell'Académie des Beaux-Arts.

Václav Brožík studiò dal 1868 presso l'Accademia di Belle Arti di Praga sotto Emil Lauffer.

Nel 1871 si trasferì per poter proseguire i suoi studi all'Accademia di Dresda e dal 1873 all'Accademia di Monaco di Baviera, dove fu influenzato in particolare da Carl Theodor von Piloty.

Frederick Morgan ROI | Genre painter

Frederick Morgan ROI (1847-1927) is known mostly for his romantic and sentimental paintings of children in the same style as his contemporary Arthur John Elsley.

His paintings achieved great popularity in his lifetime and were widely published.

He exhibited with the Royal Academy and was a member of the Royal Institute of Oil Painters (ROI).

Morgan's paintings are exhibited at many art galleries and museums including the Walker Art Gallery in Liverpool and the Russell-Cotes Museum in Bournemouth.

His Turn Next was used to advertise Pears' Soap and is in the Lady Lever Art Gallery, Port Sunlight.

Anton Dieffenbach | Pittore di genere

Anton Heinrich Dieffenbach (1831-1914) è stato un pittore paesaggista e di genere Tedesco, noto per i suoi ritratti di bambini.

Si trasferì a Strasburgo con i suoi genitori nel 1840 e prese lezioni da un artista locale di nome Charles Duhamel.

Grazie alla raccomandazione di Duhamel, poté recarsi a Parigi e studiare con lo scultore James Pradier.

Fabio Cipolla | Orientalist painter

Fabio Cipolla (1852-1935) was a distinguished Italian painter of genre scenes and "costume paintings".

He trained at the Academy of Fine Arts in Rome and his works were published in various periodicals.

He made his first appearance at the exhibitions in Milan in 1879 and in Turin in 1880, and in the following years he developed the adoption of a mannered narrative realism on genre subjects.

Fabio Cipolla lived and worked in Rome all his life.

Nikolai Belsky | Genre painter

Russian painter Nikolay Bogdanov-Belsky (1868-1945) painted mostly genre paintings, especially of the education of peasant children, portraits, and impressionistic landscapes studies.

Bogdanov was born in the village of Shitiki in Smolensk Governorate in 1868, then he added to his surname "Belsky" in accordance with the name of the Uyezd where he was born.

He studied at the elementary school where his teacher was Sergey Rachinsky, then studied icon-painting at the Troitse-Sergiyeva Lavra in 1883, modern painting at the Moscow School of Painting, Sculpture and Architecture in 1884 to 1889, and at the Imperial Academy of Arts in St. Petersburg from 1894 to 1895.

Adolf von Becker | Something for the Cat, 1882

Adolf von Becker (1831-1909) was a Finnish genre painter and art professor of German descent, one of the first Finnish artists to study in Paris, who taught many of the young artists of the Golden Age of Finnish Art.

Becker was born in Helsinki, where he began his artistic studies at the newly founded Finnish Art Society Drawing School; he also studied law.

In 1853, he completed his law degree and became a trainee at the Court of Appeals in Turku.

Adolf von Becker | Something for the Cat, 1882 | Paris Salon, 1882 | Finnish National Gallery

Vincenzo Migliaro | Mercato del pesce a Porta Capuana, 1893

Vincenzo Migliaro (1858-1938) was an Italian painter born in Naples.

After learning the art of wood carving at courses held by the Società Centrale Operaia Napoletana and working in the studio of Stanislao Lista, Migliaro enrolled in 1875 at the Naples Institute of Fine Arts, where his masters included Domenico Morelli.

Hugues Merle | The Forgotten, 1850

Hugues Merle (1822–1881) has long been associated with his friend and possible rival, William Bouguereau (1825-1905).

Merle was just two years older than Bouguereau, and their thematic and artistic concerns and meticulous degree of finish resulted in comparison from critics and collectors alike.

Merle began exhibiting at the Salon des Artistes Français in 1847 and went on to become to teacher of Elizabeth Gardner Bouguereau, Bouguereau's wife and a talented painter in her own right.

Hugues Merle | The Forgotten, 1850 | Sotheby's

Auguste Raynaud | Awaiting his return

Auguste Raynaud (1854-1937) was a popular 19th-century Genre and portrait painter.

Born and raised in Lyon, Auguste Raynaud attended the École des Beaux-Arts in Paris, where he studied with Danguin, Henri Lehmann and Félix-Auguste Clément.

In 1876, he moved to Lyon, rue de l'Annonciade, and presented a painting to the Société des Amis des Arts d'Avignon, entitled "Giotto, enfant dans la campagne du Tyrol".

Jules Breton | The painter of peasant life

Jules Adolphe Aimé Louis Breton (1827-1906) was a 19th-century French naturalist painter.

His paintings are heavily influenced by the French countryside and his absorption of traditional methods of painting helped make him one of the primary transmitters of the beauty and idyllic vision of rural existence.

He was one of the best known painters of his period in his native France as well as England and the United States.

Jules-Breton | The Song of the Lark, 1884 | Art Institute of Chicago

James Clarke Hook | Pittore di genere

James Clarke Hook RA (1819-1907) è stato un pittore ed incisore Inglese di scene marine, di genere e storiche e paesaggi.

Nel 1844 e nel 1845 la British Institution espose due dipinti di Hook - soggetti tratti da Shakespeare e Burns - che, insieme ai precedenti, dimostrarono la sua capacità di trattare temi del sentimento romantico e del pittoresco, allora in voga, ma in modo originale e vigoroso.

"The Song of Olden Times" (Royal Academy, 1845) segnò nettamente il futuro percorso dell'artista sotto molti aspetti tecnici.

Eugene de Blaas | Gypsy Girl

Eugene de Blaas, also known as Eugene von Blaas or Eugenio Blaas (24 July 1843 - 10 February 1931), was an Italian-Austrian painter in the school known as Academic Classicism.

He was born at Albano, near Rome, to a Tyrolean father and Italian mother.

His father Karl, also a painter, was his teacher.

His mother, Agnesina Auda, was a well-to-do Roman woman.

The family moved to Venice when Karl became professor at the Academy of Venice.

He often painted scenes in Venice, but also portraits and religious paintings.

Angelo Morbelli | Per 80 centesimi! 1895

"Per 80 centesimi!", opera di Angelo Morbelli, uno dei capolavori del Museo Borgogna, venne acquistata nel 1912 alla Mostra d’Arte della campagna irrigua tenutasi a Vercelli, a pochi anni dall'apertura al pubblico del Museo.

Il dipinto, firmato e datato 1895, ha avuto una lunga e tormentata elaborazione, come testimonia la corrispondenza fra l’artista e il collega Giuseppe Pellizza da Volpedo: iniziato nel 1893, venne ripreso prima di essere esposto nel 1895 alla Biennale di Venezia.

Luigi Pastega | Genre painter

Luigi Pastega (Venice, 1858-1927) was an Italian painter, mainly of genre subjects.

He was a pupil of Pompeo Marino Molmenti and Napoleone Nani at the Accademia di Belle Arti in Venice.

He continued to reside in Venice painting vedute and genre subjects in a style that recalled Giacomo Favretto.

Luigi Cima | Verist painter

Luigi Cima (1860-1944) was an Italian painter, considered one of the most fortunate and appreciated representatives of the “verism” of the late nineteenth century, and in any case an absolute protagonist of the artistic world of Belluno.

Luigi Cima was born in Villa di Villa, current municipality of Mel (Belluno) on January 5, 1860.

After completing his technical studies in Feltre, he moved to Venice to enroll at the Academy of Fine Arts, where he attended the courses of Eugenio De Blaas.

Arturo Moradei | Genre painter

Arturo Moradei (1840-1901) was an Italian 19th Century genre artist.

Arturo Moradei was born in Florence in 1840 and after extensive study, he became a very popular painter of romantic figures indulging in everyday life.

His ability to catch expressions and to tell stories in his paintings ensured the popularity of his work during his lifetime.

He died in Italy in 1901.

Vito Maurogiovanni | Le albe di mio Padre / My Father's sunrises

1930.

Mio padre non ha mai dormito la notte: il suo caffè di via De Rossi rimaneva aperto notte e giorno.

Solo nel pomeriggio andava a trovare nel gran letto matrimoniale il riposo che non poteva avere la notte. Lo ricordo, la sera, dietro il bancone a manovrare la macchina espresso, a mescere bibite, limonate, aranciate.

Non erano molti gli avventori della notte.

Capitavano viaggiatori che arrivavano dalla stazione e coloro che erano in procinto di partire, con grosse valigie, per terre lontane.

Hans Brasen

Nikolai Sverchkov | Equine painter

Nikolai Yegorovich Sverchkov / Николай Егорович Сверчков (1817-1898) was a Russian painter who specialized in genre and hunting scenes with horses.

He was also a member of the Imperial Academy of Arts.

His father was an Imperial groom and coachman. As a child, he worked with his father and began drawing animals.

Impressed with his work, his parents arranged for him to take lessons at the Imperial Academy of Arts with the battle painter, Alexander Sauerweid, from 1827 to 1829.