Camille Pissarro | Femme lavant du linge, avec enfant, 1898

Artist: Camille Pissarro🎨 (Danish/French, 1830-1903);
Title: Femme lavant du linge, avec enfant , ca. 1898;
Medium: Gouache on silk laid down on card;
Size: 17.5 x 13.7 cm. (6.9 x 5.4 in.);
Museum location: Christie's.

Gustave Loiseau (French, 1865-1935)

Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets.

Loiseau was born in Paris and was brought up there, and at Pontoise, by parents who owned a butchers shop..

He served an apprenticeship with a decorator who was a friend of the family..

In 1887, when a legacy from his grandmother allowed him to concentrate on painting, he enrolled at the École des arts décoratifs where he studied life-drawing..

However, a year later he left the school after an argument with his teacher.

Roman Fedosenko / Роман Федосенко, 1970

Роман Федосенко lives and works in Minsk, Belarus.

Hailing from Minsk, Belarus, Roman Fedosenko is an international artist who paints in both Impressionist and Realist styles.

A lot of traveling and actively exhibit their work.

Participates in various art projects.

Józef Pankiewicz | Il primo colorista Polacco

Józef Pankiewicz (Lublino 1866 - La Ciotat, Bouches-du-Rhône, 1940), è stato un pittore Polacco ed artista grafico, influenzato a Parigi (1889) dall'impressionismo, che introdusse in Polonia.

Pankiewicz ha ricevuto la sua formazione presso l'Accademia d'arte da Varsavia, con Wojciech Gerson ed Alexander Kamiński.

Con il suo amico Władysław Podkowiński poi è andato a San Pietroburgo e vi studiò nel 1885-1886 all'Accademia d'arte.

Marc Chagall | Les Paysans, 1971

The wondrous vitality of Chagall's imagination, as youthfully whimsical and impetuous as ever, empowered him in his late paintings to become - like Picasso, notwithstanding the strong differences in their backgrounds and temperament - the impresario, auteur, director and a leading player in a lively theater of memory. Just as Picasso drew heavily on his ancestral Mediterranean roots, so Chagall became the artificer of a pictorial realm based on multiple personal mythologies he had evolved for himself as the proverbial Wandering Jew.

Sir Frederic William Burton | Hellelil and Hildebrand, the Meeting on the Turret Stairs, 1864

The subject is taken from a medieval Danish ballad translated by Burton’s friend Whitley Stokes in 1855, which tells the story of Hellelil, who fell in love with her personal guard Hildebrand, Prince of Engelland.

Her father disapproved of the relationship and ordered her seven brothers to kill the young prince.

Rembrandt | Old Woman Cutting Her Nails,1655-60

Once well known as a Rembrandt🎨, this large canvas has also been attributed to the master's pupil, Nicolaes Maes (1643-1693), and to Abraham van Dijck (ca. 1635?-1680?).

The two artists were closely associated in Dordrecht, the southern Dutch city from which several Rembrandt🎨 followers came.

Whatever its authorship, the painting must date from about 1655-60.

Othello and Desdemona's painting

Desdemona (The Song of the Willow) is based on a print, part of a suite of etchings by Chassériau illustrating Shakespeare’s Othello, which was published in Paris in 1844.

It depicts act 4, scene 3 of the play, a final moment of calm preceding Desdemona’s murder by her husband, Othello.

Desdemona’s maid, Emilia, who was complicit in orchestrating the crime, shrinks away, cringing at the knowledge of what is about to occur.

The lyre Desdemona holds was not described by Shakespeare; Chassériau observed it in an 1836 production in which the role was performed by the celebrated singer Maria Malibran Garcia (1808–1836), called La Malibran. | © The Metropolitan Museum of Art

Théodore Chassériau | Desdemona (The Song of the Willow) 1849 | The Metropolitan Museum of Art