This painting was shown at the National Academy of Design exhibition in 1886 and is a fine example of Blakelock's mature painting style.
Although it features elements that are typical of the artist's style -generalized and silhouetted forms, glowing moonlight, and thick paint- it is particularly strong and subtle in comparison.
The foliage that frames the edge of the canvas echoes the irregular contours of the tree so much that the forms seem almost able to interlock.
The brushwork is varied with pigment loosely appled to create a richly colored surface, especially in the boundary between the light sky and the dark leaves. | Source: © Metropolitan Museum of Art
Ralph Albert Blakelock (1847-1919) was a romanticist American painter known primarily for his landscape paintings related to the Tonalism movement.
Blakelock taught himself to paint through trial and error, and continued to use improvisation as an artistic method throughout his life.
He was also an accomplished musician, and would use his improvised piano compositions as inspiration for his paintings.
He would work on paintings for years, building layers and then scoring, scraping, or rubbing them away.
Blakelock's early landscapes have their genesis in the style of the Hudson River School of painters. In time, he developed a more subjective and intimate style.
His favorite themes were those depicting the wilderness and solitude; evocative and emotional paintings of illuminated moments in nature, of moonlight landscapes and twilight hours and Indian camps in the solitude of nature.
He was also heavily influenced by the French Barbizon School, whose painters also favored dark forests and heavily worked surfaces.
Blakelock's technique was highly personal and through his individualistic style his paintings summoned the viewer into a luminous, almost other worldly realm.
In the majority of his paintings, space is given depth by the use of light; moonlight most often.
Along with his contemporary Albert Pinkham Ryder, Ralph Albert Blakelock was one of the most individual American painters of his time.
One of his many paintings entitled Moonlight was sold at the highest price ever paid for the work of a living American artist at that time.
Sadly, his rise in public notoriety along with the increase in his art sales never benefited his family or himself.
By 1903 his works were being forged, so much so, that he remains today as "perhaps the most forged" artist in America.
Such was the final ironic touch to one of the most tragic stories in American art.
"A Waterfall, Moonlight" fu esposto alla mostra della National Academy of Design nel 1886 ed è un ottimo esempio dello stile pittorico maturo di Blakelock.
Sebbene presenti elementi tipici dello stile dell'artista - forme generalizzate e stagliate, luce lunare splendente e pittura densa - in confronto è particolarmente forte e sottile.
Il fogliame che incornicia il bordo della tela riecheggia i contorni irregolari dell'albero tanto che le forme sembrano quasi potersi incastrare.
La pennellata è variata con pigmenti sparsi per creare una superficie riccamente colorata, soprattutto nel confine tra il cielo chiaro e le foglie scure. | Fonte: © Metropolitan Museum of Art
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