Textual description of firstImageUrl

Massimo D'Azeglio | A vendetta, 1834-1835

"A Vendetta" is an oil on canvas by Massimo D'Azeglio, created in 1834-1835.
The painting, measuring 179 x 225 cm, is part of the collection of the GAM - Galleria d'Arte Moderna di Milano.
Massimo Taparelli, Marquess of Azeglio (24 October 1798 - 15 January 1866), commonly called Massimo d'Azeglio, was an artist, writer and minister during the Italian Risorgimento.
A vendetta belongs to the historical landscape genre - this refers to landscape paintings drawn "from life" or in a realistic fashion, but populated with figures from history or literature.

Massimo D'Azeglio | Una vendetta, 1834-1835 | GAM - Galleria d'Arte Moderna di Milano

Textual description of firstImageUrl

Marco d'Oggiono | Elevazione della Maddalena, 1522-1524

Elevazione della Maddalena was created in 1522-1524 by Marco d'Oggiono (1470-1540), Italian Renaissance painter and a chief pupil of Leonardo da Vinci.
The painting, measuring cm 146x103, is part of the collection of the Pinacoteca Brera, Milano.
The artwork, on a stylistic level is noted for, other than Leonardo’s influences, also the peaceful sweetness of Raphael and the sensuality of Correggio, represents Saint Mary Magdalene elevated to heaven by a multitude of angels.

Marco d'Oggiono | Elevazione della Maddalena, 1522-24 | Pinacoteca Brera, Milano

Textual description of firstImageUrl

Claude Monet | Deux femmes en barque, 1887

In 1883, Claude Monet (1840-1926) acquired a property in Giverny, a small village in his native Normandy.
Over the next several decades, the artist transformed the isolated, overgrown grounds that surrounded his new home into a lush private paradise, replete with overflowing flowerbeds, sweeping willow trees, wisteria vines, and an infamous waterlily pond.
This curated gardenscape would ultimately inspire some of the artist’s most infamous works in the second half of his career.

Claude Monet | Deux femmes en barque, 1887 | Christie's

Textual description of firstImageUrl

Rudi Hurzlmeier, 1952 | Cartoonist / Illustrator

Rudi Hurzlmeier (born in Mallersdorf Abbey, in Bavaria) is a German cartoonist, painter and author.
Hurzlmeier has been dedicated to comic art since the early eighties.
His works have also been acclaimed by classical art critics.
In 2010 he was awarded the German Caricature Prize in Dresden, the most important award for cartoonists in Germany.


Textual description of firstImageUrl

Giovanni Segantini | The Two Mothers / Le due madri, 1889

"The Two Mothers" is an 1889 oil painting by Giovanni Segantini (Italian painter, 1858-1899).
This work is a product of the Divisionist technique and measuring 301x162.5 cm.
It is part of the collection of the GAM - Galleria d'Arte Moderna in Milan.
Presented at the inaugural Milan Triennale in 1891, alongside "Maternità" (Maternity) by Gaetano Previati (1858-1899), "Le due madri" is one of Segantini's most celebrated and talked-about works, and affirmed the revolutionary new technique known as Divisionism.

Giovanni Segantini | Le due madri, 1889 | olio su tela; 301x162.5 cm | GAM - Galleria d'Arte Moderna, Milano

Textual description of firstImageUrl

Pierre-Édouard Frère | Genre painter

Pierre Édouard Frère (1819-1886), was a French genre painter.
Frère studied under Paul Delaroche, entered the École des Beaux-Arts in 1836 and exhibited first at the Salon in 1843.
Among his chief works are the two paintings, Going to School and Coming from School, The Little Glutton (his first exhibited picture) and L'Exercice (in the 19th century this work was in John Jacob Astor's collection).


Textual description of firstImageUrl

Gaetano Previati | Maternity, 1890-1891 | From Scandal to Masterpiece

The "Maternity" is a monumental painting in which the Italian symbolist painter Gaetano Previati (1852-1920) interpreted the theme of Christian tradition in a secular way.
The painting was completed between 1890 and 1891 resides at the GAM - Gallery of Modern Art in Milan.
The "Maternity" has a complex and tormented genesis, not only due to the difficulties connected with the unconventional interpretation of a great theme, but also because of the high costs of making a painting of monumental dimensions (177 x 411 cm) .
A fundamental work, the painting represents a turning point in Previati's career and a manifesto of the new divisionist painting.

Gaetano Previati | Maternità, 1890-1891 | GAM - Galleria d'Arte Moderna di Milano